Selections from Samuel Maykapar: Pedal Preludes Cover Image

Selections from Samuel Maykapar: Pedal Preludes: Piano Book

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Selections from Samuel Maykapar: Pedal Preludes Cover Image

Selections from Samuel Maykapar: Pedal Preludes: Piano Book

By Samuel Maykapar / ed. Gail Lew

Level: Intermediate

Item: 00-ELM00048

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Description
This early intermediate to intermediate piano volume features the most widely taught preludes by twentieth-century Russian composer Samuel Maykapar. Maykapar wrote these preludes to introduce piano students to many different types of pedal technique. The preludes, written in a highly Romantic style, are valuable for both study and performance. This volume includes an excellent composer biography and extensive performance notes. It is also an important reference work on use of pedal.

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Additional Details
Series: Belwin Edition: Piano Masters Series
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-9850-8
ISBN13: 978-0-7692-9850-4
UPC: 654979183792
SKU: 00-ELM00048

More about this title

About the Composer: Samuel Maykapar

Samuel Maykapar (1867-1938) was a Russian composer and pedagogue whose works shaped piano education across the twentieth century. His output prioritized the learning musician without sacrificing artistic substance; he believed that technical studies could be musically compelling, and his preludes stand as proof of that conviction.

Maykapar's approach to pedal technique was systematic and thoughtful. Rather than treating the sustain pedal as an ornament, he wrote these preludes as deliberate explorations of how pedal colors and resonances could deepen harmonic understanding. His Romantic harmonic language gave students something genuinely worth playing, not just mechanical exercises.

Why we love this

These preludes solve a real pedagogical problem that most intermediate students face: they know about the pedal in theory but have no reliable framework for using it musically. Maykapar's writing makes the pedal integral to the sound, not optional, and his Romantic harmonic vocabulary keeps students engaged while they're learning. A volume that functions equally well as study material and recital repertoire is rare.

What to expect

These preludes shimmer with the harmonic warmth of early twentieth-century Russian Romanticism. Each piece unfolds as a brief emotional landscape, lyrical and introspective, where the piano's resonance becomes part of the musical conversation rather than just a technical effect.

Who it's for

Intermediate pianists ready to move beyond superficial pedal use and ready to handle Romantic harmonic density. Teachers seeking pedagogically sound material that gives students both technical facility and genuine musical substance. Advanced intermediate students preparing recital repertoire that demonstrates maturity and control.

How to get the most out of it

  • Start by playing without pedal to establish the harmonic architecture clearly, then reintroduce the sustain pedal one prelude at a time so the ear can distinguish what the pedal actually adds rather than mask technical uncertainties.
  • Use the extensive performance notes provided in this edition; they explain not just what to do with the pedal but why each marking appears, turning notation into understanding.
  • Listen for harmonic clashes that signal a pedal change is needed; Maykapar's progressions will tell you when resonance has overstayed its welcome.
  • Practice slow enough that you can consciously coordinate hand and foot movements without fumbling, especially in passages where rapid pedal changes occur alongside finger work.

How to use it

Build a recital around a single Maykapar prelude paired with works from the same era or style; these pieces hold their own alongside Scriabin, Rachmaninoff, or early Medtner. Use them as a bridge in a student recital between Classical-era repertoire and later twentieth-century music, demonstrating how Romanticism evolved.

Skills your students will build

  • Sustain pedal technique including precise pedal timing and coordination with harmonic changes
  • Recognition of when pedal resonance serves harmonic color versus when it clouds harmonic clarity
  • Interpretation of Romantic harmonic language and voice leading
  • Performance maturity and emotional expression within a compact musical form
  • Analysis of how pedal notation and compositional intent align

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