Selections from Into the Woods: Concert Band Conductor Score & Parts
By Stephen Sondheim / Arranged by Stephen Bulla
Grade: 4
Item: 35-PK00197921
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About the Composer: Stephen Sondheim
Stephen Sondheim revolutionized musical theater by treating the form as a vehicle for sophisticated storytelling and complex harmonic language. His work as both composer and lyricist elevated Broadway's artistic ambitions, earning him eight Grammy Awards, a Pulitzer Prize, and recognition as one of the most influential theater composers of the twentieth century.
For music educators, Sondheim's output offers rare opportunities to engage students with genuinely artistic material that doesn't condescend to younger performers. His melodies are memorable and singable, yet his harmonies and orchestrations reward careful listening and musicianship.
Why we love this
Stephen Bulla's medley preserves the emotional core of Sondheim's score while crafting an arrangement that feels fresh and concert-worthy rather than like a show tune collection. The piece builds momentum across its movements, giving your band a genuine arc to shape rather than isolated vignettes.
What to expect
The opening establishes mystery and enchantment before the familiar melodies emerge, warm and nostalgic. As the medley unfolds, you move between introspection and gentle joy, landing on the quiet wisdom of 'Children Will Listen' that feels both intimate and profound.
Who it's for
Concert bands at Grade 4 who want to program contemporary musical theater repertoire with real substance. This works for groups seeking material that audiences recognize and enjoy while still offering legitimate musical challenges for players.
How to get the most out of it
- Balance the lyrical moments in 'No One Is Alone' by resisting the urge to push tempo; let the harmonic shifts breathe and carry the emotional weight.
- Ensure clear articulation in the faster sections so the familiar melodies cut through the fuller orchestration without sounding muddy.
- Mark the transitions between numbers clearly in rehearsal; the medley structure means your band needs to feel where one section ends and the next begins.
How to use it
Pair this with other contemporary concert pieces to show your band's range, or use it as a accessible entry point if you're introducing musical theater repertoire to your program. The six-minute length sits perfectly in a mixed concert without overshadowing other selections.
Skills your students will build
- Phrasing across longer harmonic progressions
- Balancing melody and accompaniment in Broadway-influenced orchestration
- Executing smooth transitions between contrasting sections
- Shaping dynamic arcs within individual melodic lines
- Distinguishing between legit theater style and pure concert band sonority