Selections from Home Alone (arr. Paul Lavender): Concert Band Conductor Score & Parts

Paul Lavender's arrangement captures the emotional arc of Williams' Home Alone scores in a package that feels complete as a concert experience without losing the intimacy that makes these themes beloved. The medley structure allows your band to touch multiple moods in a single performance, from the wistful nostalgia of 'Somewhere in My Memory' to the full-ensemble warmth of the closing carols, making this an unusually satisfying choice for holiday programs that need substance alongside sentiment.

Tender and nostalgic, with moments of genuine joy that never tip into saccharine. The arrangement honors Williams' gift for melody while letting the band's voices create warmth and texture, moving from intimate solo passages to the full embrace of caroling at the end.

Directors who need concert band repertoire that works equally well as a standalone piece or alongside choir, and who want students to play music they and their audiences genuinely connect with. This arrangement also serves programs seeking Grade 3.5 material with emotional maturity beyond technical flash.

• Balance the solo voice in 'Somewhere in My Memory' so it floats above the accompaniment; this theme lives or dies on the delicacy of that line.
• Treat the carol arrangements as opportunities to showcase your ensemble's tonal blend rather than rushing the tempo; these familiar melodies benefit from warmth and space.
• Let the transitions between movements breathe slightly; each section has its own emotional geography, and small pauses between them deepen the medley's impact.
• If programming alongside the choir arrangement, run a joint rehearsal with both ensembles at least once to lock in the harmonic and rhythmic relationships, especially in shared passages.

This works beautifully as your centerpiece in a holiday concert, especially if your program mixes classical Christmas arrangements with film music. The medley format makes it adaptable; you can program it mid-concert as a mood shift or anchor the final third of your concert, and its familiar melodies give audiences permission to sit back and simply enjoy rather than analyze.

• Balancing solo lines against harmonic accompaniment
• Sustaining lyrical phrasing across multiple phrases without losing shape
• Ensemble blend in hymn-like voicing and four-part harmony
• Reading and performing multiple key areas and meter changes within a single work
• Responding to conductorial nuance in tempo and dynamic shaping