Selected Works for Solo Piano Urtext Edition: Volume II Cover Image

Selected Works for Solo Piano Urtext Edition: Volume II: Piano Book

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Selected Works for Solo Piano Urtext Edition: Volume II Cover Image

Selected Works for Solo Piano Urtext Edition: Volume II: Piano Book

By Robert Schumann / ed. Ephraim Hammett Jones

Level: Intermediate to Advanced

Item: 06-490726

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Description
Edited and engraved by Ephraim Hammett Jones, Volume II of this two-book set presents an original compilation of Robert Schumann's best-known character pieces and piano cycles in a pristine urtext edition. Printed to precisely reproduce the artist's original intentions, it features thirteen of the Romantic composer's finest works. Suitable for intermediate to advanced pianists. Titles: Piano Sonatas Nos. 1,2, and 3 * Davidsbundlertanze, Op. 6 * Fantasie, Op. 17 * Noveletten, Op. 21 * Carnival Jest from Vienna, Op. 26 * Three Romances, Op. 28 * Fantasy in C Major, Op. 17.

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Additional Details
Series: Dover Edition
Publisher: Dover Publications
ISBN10: 0-486-49072-6
ISBN13: 978-0-486-49072-4
UPC: 9780486490724
SKU: 06-490726

More about this title

About the Composer: Robert Schumann

Robert Schumann (1810, 1856) was a defining voice of the Romantic piano repertoire, a composer who treated the instrument as a vehicle for intimate emotional expression and literary imagination. His works for solo piano span from early character pieces and cycles to large-scale sonatas and variations, each revealing his gift for melody, harmonic innovation, and structural clarity. Schumann's writing shaped how nineteenth-century pianists approached interpretation, balancing technical demands with the demand for poetic storytelling at the keyboard.

Why we love this

This urtext edition captures Schumann's piano music without editorial interference, letting performers encounter his notation and harmonic choices as he intended them. The collection bridges the technical and the expressive: sonatas that demand serious pianistic maturity sit alongside character pieces that remain immediately rewarding to both player and listener. Having thirteen works in a single volume makes this an unusually practical source for recital planning or study.

What to expect

Schumann's piano writing conjures intimacy even in large forms. There is lyric warmth in the melodies, harmonic color that shifts with almost impressionistic subtlety, and rhythmic vitality that makes even slow movements feel alive. These pieces inhabit the space between salon and concert hall, between personal diary and public declaration.

Who it's for

This edition serves intermediate-to-advanced pianists ready to engage with Romantic keyboard literature at its source. It appeals equally to conservatory students building a core repertoire, active recitalists seeking authoritative texts, and dedicated amateurs who want Schumann without editorial baggage.

How to get the most out of it

  • Respect the poetry markings and tempo indications, especially in the character pieces. Schumann's seemingly simple tempo labels (wie aus der Ferne, with tender expression) contain specific dramatic instructions that shape phrasing as much as any metronome mark.
  • In the Davidsbündlertänze, track the motivic threads connecting movements rather than treating each as isolated. The cycle builds cumulative weight through returning fragments.
  • Layer the pedal carefully in the Fantasie and Romances, where Schumann's harmonic richness can blur without precise ear. Change it by harmonic function, not by feel alone.
  • Give the sonatas room to breathe; these are not virtuosic showcases but architectural works that reward structural clarity and patient phrase shaping.

How to use it

Draw single movements or short cycles for recital encores, or program a complete Novelette alongside a Romantic-era concerto as part of a character-piece set. Use the sonatas as semester-long study projects in a private lesson curriculum, where their scope rewards sustained technical and interpretive investment.

Skills your students will build

  • Reading complex harmonic progressions and chromatic voice leading
  • Pedaling for color and resonance without blurring harmonic clarity
  • Balancing melody and accompaniment across the full range of the keyboard
  • Interpreting Romantic-era performance markings and expressive vocabulary
  • Structural navigation in multi-movement works and character-piece cycles
  • Execution of rapid passage work and arpeggiation at intermediate-to-advanced tempos

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