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Selected Songs for High Voice: High Voice Book

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Selected Songs for High Voice Cover Image

Selected Songs for High Voice: High Voice Book

By Edvard Grieg

Item: 00-K06837

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Description
36 Songs

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Selected Songs for High Voice: High Voice Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7692-9621-1
ISBN13: 978-0-7692-9621-0
UPC: 029156152227
SKU: 00-K06837

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843, 1907) shaped the sound of Romantic music by refusing to abandon his Norwegian roots. While his contemporaries looked to German symphonic tradition as the measure of artistic worth, Grieg drew directly from folk melodies, modal harmonies, and the landscape of his homeland to create a musical language that felt both deeply personal and universally moving.

His songs occupy a special place in vocal pedagogy. They demand musicianship, sensitive phrasing, control of dynamics, understanding of harmony, but they never demand more than a singer can give. The melodies sit naturally in the voice. The accompaniments listen as much as they support. For over a century, singers have used Grieg to discover what it means to make a phrase sing.

Why we love this

This collection offers 36 opportunities to build a varied recital program without leaving Romantic Scandinavia. The songs range widely in mood and difficulty, making it possible to place accessible pieces alongside more ambitious ones, and the high voice edition sits comfortably for sopranos and tenors who need repertoire that doesn't require extreme range or unforgiving tessitura.

What to expect

Intimate without being precious. These songs breathe with the clarity of folk melody but the harmonic subtlety of art song. There's a quiet strength to them, a sense that Grieg trusts the simplicity of his ideas to do the emotional work.

Who it's for

Serious high school and early college vocalists building recital skills, as well as mature amateur singers looking for standard repertoire that rewards careful interpretation. Teachers use these songs to introduce students to art song repertoire that sits between early elementary collections and the larger German Lied tradition.

How to get the most out of it

  • Listen to how Grieg uses the piano part as an equal voice. In many of these songs, the accompaniment carries thematic material that the voice answers or reflects. Rehearsal should include conversation between singer and pianist about who leads in each section.
  • Attend to the harmonic shifts, which often move quickly and expressively. Grieg's modulations can sound abrupt if the singer hasn't internalized why they're happening emotionally. Mark the pivot chords and practice singing through them so the shift feels inevitable rather than arbitrary.
  • Pay close attention to the text even if you're singing in translation. The Norwegian and Scandinavian poetry behind these melodies carries specific emotional weight. Understanding what the poem is saying will shape your interpretation far more than any performance direction printed in the score.

How to use it

Build a Romantic vocal recital around 4, 5 Grieg songs paired with repertoire from Schubert or Schumann. Or program a single Grieg song as an encore, where its directness and beauty will linger with an audience.

Skills your students will build

  • Phrasing in tonal melody with natural breathing points
  • Recognition and execution of Romantic-era harmonic movement
  • Textual interpretation in languages beyond English and German
  • Collaboration between singer and accompanist as equal partners
  • Sustaining lyrical line across a full recital without fatigue

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