See You Again (feat. Charlie Puth) (arr. Roger Emerson) Sheet Music Preview

See You Again (feat. Charlie Puth) (arr. Roger Emerson): 2-Part Choral Octavo

As performed by Wiz Khalifa / As performed by Charlie Puth / Arranged by Roger Emerson

Item: 35-DS00324399

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Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00324399

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About the Artist: Wiz Khalifa

Wiz Khalifa built his career on accessible, melodically driven hip-hop that appeals across demographic lines. His 2011 collaboration with Charlie Puth, "See You Again," became a defining moment in crossover music, appearing on The Fast and Furious 7 soundtrack and reaching audiences far beyond typical rap listeners.

For choral educators, Khalifa's work matters because it demonstrates how contemporary artists create emotionally direct material that resonates with your singers. This arrangement captures why the original connected so widely: the song trades in genuine vulnerability rather than irony or complexity.

Why we love this

Roger Emerson's 2-part setting makes this contemporary smash accessible without oversimplifying the emotional arc. Your singers recognize the song immediately, which drives engagement, but the arrangement requires genuine musicality to land the introspective moments that make the original so effective.

What to expect

Reflective and intimate despite its contemporary pop origins. The arrangement preserves the original's slow-burn emotional honesty, trading maximalist production for the quiet power of blended voices.

Who it's for

Middle school and early high school choirs seeking repertoire that matches their singers' listening lives. Directors building programs that honor popular music alongside traditional repertoire will find this arrangement validates student taste while demanding real musicianship.

How to get the most out of it

  • Lean into the rubato; this song breathes naturally rather than locking into a strict pulse. Let your singers shape the phrasing especially in the opening phrases.
  • Balance the two parts carefully during the main melody. The second part should support rather than double, creating harmonic space.
  • Record a practice track with the full arrangement before rehearsals begin so singers absorb both parts and recognize how they interlock.
  • The bridge demands a shift in energy and focus; rehearse it as a moment of intensification, not just a textual change.

How to use it

Use this as a bridge piece in concerts pairing contemporary music with classical or jazz selections. It works especially well in spring or year-end programs where you can showcase your singers' ability to handle current material with the same care you give standard repertoire.

Skills your students will build

  • Phrasing in a contemporary idiom without rubato becoming rhythmic sloppiness
  • Harmonic independence in 2-part texture where both lines carry melodic weight
  • Emotional specificity and restraint in a ballad setting
  • Sight-reading popular music notation and stylistic markings

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