See and Sing: All Voices Book II

This collection balances systematic skill-building with pieces that actually sound musical when sung. Rather than abstract exercises, Ehret gives students real repertoire they can perform with confidence, which keeps rehearsals engaging while developing sight-reading fluency across multiple voice parts.

These pieces combine straightforward melodies with clear harmonic motion and varied textures, making them satisfying to sing without requiring advanced musicianship. There's an honest directness to the writing that respects singers' intelligence while acknowledging they're still developing their craft.

This book serves choral directors working with intermediate singers who have basic sight-reading ability but need continued reinforcement. It works equally well in school choirs, church ensembles, and community vocal groups seeking materials that build skill without condescension.

• Warm up each voice part separately before combining voices so singers hear their independent lines clearly and trust their own part.
• Move at a consistent tempo from start to finish, even if it feels slightly slower than singers expect. Steady pulse matters more than speed when developing secure reading habits.
• Use the octavo format to check part balance while rehearsing; have singers mark dynamic shifts or tricky intervals in pencil as you identify them together.

Use these pieces as rehearsal staples for the first half of your season while singers rebuild their confidence after summer. They also work as opener selections on concerts where you want to showcase ensemble cohesion and part independence before tackling more challenging repertoire.

• Sight-reading in multiple voice parts simultaneously
• Maintaining independent melodic lines while hearing other voices
• Secure intonation in four-part voicing
• Rhythmic stability without conducting cues
• Reading varied meters and time signatures