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Secret Love: Jazz Ensemble Conductor Score & Parts

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Secret Love Cover Image

Secret Love: Jazz Ensemble Conductor Score & Parts

Words by Paul Francis Webster, music by Sammy Fain / arr. Dave Wolpe

Grade: 3 (Medium)

Item: 00-30633

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Featuring the trombone section, Dave Wolpe's chart on Secret Love is outstanding! All four parts have written-out solo sections, plenty of section work and nice ensemble parts. Lead 'bone range is to high B-flat and lead trumpet is to written B, above the staff. A terrific chart to showcase your trombones. (3:43)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Secret Love: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 102
UPC: 038081335414
SKU: 00-30633

More about this title

About the Composer: Sammy Fain

Sammy Fain (1902-1975) composed some of the most enduring popular songs of the American Songbook, with a gift for memorable melodies and emotional directness. His work appeared in Hollywood films, on Broadway, and in the jazz and standards repertoires, earning him two Academy Awards for Best Original Song.

For jazz educators, Fain's tunes remain essential vehicles for teaching swing phrasing, melody interpretation, and ensemble voicing. His songs sit naturally in the jazz idiom and reward thoughtful arrangement and performance.

Why we love this

Wolpe's arrangement puts the trombone section front and center with genuine solo space for all four players, not just the lead chair. The combination of ambitious range (lead bone to high B-flat, lead trumpet to written B) and accessible ensemble writing means your section gets to stretch without overwhelming less confident players.

What to expect

Swinging and buoyant, with the warmth of a classic jazz standard. The trombone writing captures both the punch of section ensemble work and the soulful, lyrical quality that makes this tune memorable.

Who it's for

Directors with intermediate jazz ensembles who want to feature their trombone section with a proven, musically rewarding chart. This works best for groups with at least one confident lead trombonist and section members who can handle written solos and a real top end.

How to get the most out of it

  • Balance the solos carefully during the written-out trombone passages so each voice projects clearly without the section sounding scattered. This is where careful voicing practice in sectionals pays off.
  • Lock the rhythm section early and stay there. The swing feel depends on solid time from drums and bass, which allows soloists to float confidently over the changes.
  • Mark the ensemble hits precisely and commit to them together. Tight ensemble work frames the solo sections and defines the chart's swing character.
  • Establish the articulation style for the section runs before rehearsal with the full ensemble. Agreement on tonguing and phrasing makes the parts sit together.

How to use it

This fits naturally into a swing-focused concert or a program mixing jazz standards with original compositions. The three-minute-plus length and showcase nature make it an ideal closing number or anchor piece for a set highlighting your ensemble's sectional strengths.

Skills your students will build

  • Solo phrasing and interpretation over jazz chord changes
  • Reading and executing written-out improvisation
  • Ensemble balance and blend in four-part trombone writing
  • Swing articulation and tonguing consistency within a section
  • Range extension and endurance (lead bone to high B-flat)

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