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Second Home: Piano (Solo)

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Second Home Cover Image

Second Home: Piano (Solo)

By Roxanna Panufnik

Item: 98-EP71872

$28.95
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-57-700503-0
ISBN13: 979-0-5770-0503-4
SKU: 98-EP71872

More about this title

About the Composer: Roxanna Panufnik

Roxanna Panufnik is a British-Polish composer whose work straddles contemporary classical and accessible concert music. Her compositions have been performed by major orchestras and ensembles worldwide, and she has received commissions from prestigious institutions. Panufnik's writing is marked by lyrical melodic lines, harmonic clarity, and emotional directness, qualities that make her work equally compelling in intimate settings like solo piano recitals.

As a composer who writes across genres and ensemble sizes, Panufnik brings a performer's sensibility to her instrumental writing. Her piano works balance technical engagement with approachable musical language, making them attractive to conservatory students and advanced amateur pianists alike.

Why we love this

Second Home captures a distinct emotional landscape without relying on dramatic gestures or extended techniques. The piece offers pianists a chance to explore introspective, lyric writing that demands control over tone and pacing rather than virtuosic display, making it a refreshing alternative to the standard contemporary piano repertoire at this level.

What to expect

Second Home inhabits a reflective, intimate space. The music unfolds with a sense of personal narrative, moving through moments of calm introspection and gentle emotional deepening without rushing toward resolution. It invites listeners into a private world of recollection and quiet contemplation.

Who it's for

This solo is suited to advanced intermediate and advanced pianists preparing for recitals, competitions, or conservatory auditions. It appeals to performers drawn to contemporary classical music with strong melodic content and emotional coherence.

How to get the most out of it

  • Attend carefully to pedal changes and voice balance; the harmonic language depends on precise registration to avoid muddiness.
  • Shape phrases through subtle dynamic shaping and rubato rather than surface-level tempo variation; the piece responds to a patient, singing approach.
  • Establish clear relationships between melody and accompaniment from the outset, even when both elements are equally important texturally.

How to use it

This work pairs naturally with other contemporary pieces or classical repertoire that shares lyric sensibility. Consider programming it alongside Schoenberg's Three Piano Pieces or Pärt's Spiegel im Spiegel to create a thematic arc exploring memory, stillness, and internal landscape.

Skills your students will build

  • Voice leading and independence between hands in contemporary harmonic language
  • Tone control and pedal technique in sustained, lyric writing
  • Phrasing and structural navigation across a 24-page solo work
  • Interpretive choices in minimally marked contemporary scores

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