Sea Shanty Play-Alongs for Flute Cover Image

Sea Shanty Play-Alongs for Flute: Flute Book, CD & Online Audio

$14.99 USD
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Sea Shanty Play-Alongs for Flute Cover Image

Sea Shanty Play-Alongs for Flute: Flute Book, CD & Online Audio

Ten Sea Shanties to play along. From Aloha 'Oe‚ La Paloma, Santiana via Sloop John B., The Drunken Sailor to The Wellerman and many more.

By Vahid Matejko

Item: 00-20301US

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Description
It is not only the great success of Nathan Evans' re-release of "The Wellerman" on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with "Vahid Matejko's Sea Shanty Play-Alongs" there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano). The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings. Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: - a demo-track which features a live soprano recorder performance by the German specialist for pop/rock/jazz recorder Tobias Reisige and - a minus-one mix for you to play-along.

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Additional Details
Series: Sea Shanty Play-Alongs
Publisher: Alfred Music
Page Count: 28
ISBN10: 3-947998-49-X
ISBN13: 978-3-947998-49-4
UPC: 038081558264
SKU: 00-20301US
Instrumentation: C Flute

More about this title

About the Arranger: Vahid Matejko

Vahid Matejko is an arranger known for bringing contemporary energy to traditional and folk material. His work bridges classical instrumental technique with accessible, engaging arrangements that maintain authentic character while opening the music to modern performance contexts.

Why we love this

Matejko's arrangements treat sea shanties as vehicles for genuine musical exploration rather than novelty items. The stylistic diversity across these ten tracks—spanning rock, Latin, funk, big band, and orchestral textures—means flutists encounter real arranging craft and varied accompaniment styles, all recorded live by professional musicians. Your students get authentic demo tracks and honest minus-one mixes that don't oversimplify the music.

What to expect

Sea shanties arranged here feel alive and ensemble-grounded, never thin or overly folk-like. The instrumental backings create genuine atmosphere, from the salty, rock-edged energy of some tracks to the warm, big band swing of others. Playing along draws you into a full band conversation rather than a simple melody-plus-accompaniment format.

Who it's for

Flute students and teachers seeking repertoire that connects to contemporary musical tastes while teaching arranging styles and ensemble listening skills. This collection suits flutists at the intermediate level and above who are ready to navigate stylistically varied accompaniments and respond musically to recorded ensembles.

How to get the most out of it

  • Use the demo track as a reference for phrasing and tone color; Tobias Reisige's recorder performance offers a model for how to shape the melody across different stylistic contexts.
  • Balance your dynamic range against the recorded accompaniment by listening to where the band sits in the mix during rehearsal. Some arrangements lean orchestral and demand fuller tone; others invite lighter, more conversational playing.
  • Lock into the groove by anchoring yourself to the rhythm section rather than the melody in the minus-one mix. The harmonic and rhythmic foundation will guide you more reliably than trying to follow the original choral voicings.
  • Mark style shifts in your part during the first listen. When the arrangement moves from, say, a big band feel to Caribbean rhythms, your articulation and vibrato choices should shift with it.

How to use it

Slot individual shanties into concerts or rehearsals as engaging diversions from classical and standard method repertoire; their contemporary appeal connects with student interest while maintaining musical rigor. You can also program several shanties as a thematic suite, showcasing how a single song tradition can be reshaped through different stylistic lenses.

Skills your students will build

  • Playing against rhythmic and harmonic accompaniments across rock, Latin, funk, big band, and orchestral styles
  • Responding to dynamic and tonal shifts in recorded ensemble contexts
  • Interpreting melody within polyphonic instrumental arrangements
  • Maintaining intonation and ensemble blend while listening to multi-layered accompaniments
  • Recognizing how arranging choices reshape familiar melodic material

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