Scrooge, Scrooge, Scrooge: 2-Part Choral Octavo

Donnelly and Strid have crafted a novelty piece that gives choirs permission to play with tone and character without sacrificing musicality. The humor lands because the writing is genuinely clever, not forced; younger choirs especially respond to material that treats them as smart performers capable of both ensemble control and comic timing.

A lighthearted, tongue-in-cheek retelling that brings the spirit of Scrooge to life with wit and warmth. The piece bounces along with energy and personality, inviting singers and audiences alike to enjoy the familiar story through a fresh, playful lens.

This two-part choral octavo works well for middle school choirs, high school singers seeking lighter material, or community ensembles building holiday programming. The novelty approach and 2-part voicing make it accessible without sacrificing the craft.

• Lean into the comedic timing. This piece thrives when singers commit fully to the character and personality of the text, making each phrase land with intention rather than rushing through.
• Use the recorded accompaniment to lock in the rhythmic groove, especially if your singers are still building confidence with ensemble articulation and syncopation.
• Shape the lyrics with clear diction and dynamic contrast. The humor depends on the audience hearing every word distinctly.

Pair this with your more traditional Christmas carols and sacred selections to give the concert dynamic range and moments of genuine laughter. It works especially well as a second-half opener or as a bridge between sections, shifting the mood and reminding audiences that holiday music encompasses joy in all its forms.

• Characterization and expressive singing within a comedic context
• Rhythmic precision and ensemble alignment with accompaniment
• Clear diction and text projection in a novelty style
• Balance between individual personality and choral blend