Scorpion!: Flex Ensemble Conductor Score & Parts
By Richard L. Saucedo
Grade: 1.5
Item: 35-PK01047610
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Scorpion! - Conductor Score (Full Score) | $5.00 | |
| Scorpion! - Pt.1 - Flute | $6.00 | |
| Scorpion! - Pt.1 - Oboe | $6.00 | |
| Scorpion! - Pt.1 - Bb Clarinet/Bb Trumpet | $6.00 | |
| Scorpion! - Pt.1 - Violin | $6.00 | |
| Scorpion! - Pt.2 - Bb Clarinet/Bb Trumpet | $6.00 | |
| Scorpion! - Pt.2 - Eb Alto Saxophone | $6.00 | |
| Scorpion! - Pt.2 - Violin | $6.00 | |
| Scorpion! - Pt.3 - Bb Clarinet | $6.00 | |
| Scorpion! - Pt.3 - Bb Tenor Saxophone | $6.00 | |
| Scorpion! - Pt.3 - Eb Alto Sax/Alto Clar. | $6.00 | |
| Scorpion! - Pt.3 - F Horn | $6.00 | |
| Scorpion! - Pt.3 - Violin | $6.00 | |
| Scorpion! - Pt.3 - Viola | $6.00 | |
| Scorpion! - Pt.4 - Bb Bass Clarinet | $6.00 | |
| Scorpion! - Pt.4 - Trombone/Bar. B.C./Bsn. | $6.00 | |
| Scorpion! - Pt.4 - Baritone T.C. | $6.00 | |
| Scorpion! - Pt.4 - Eb Baritone Saxophone | $6.00 | |
| Scorpion! - Pt.4 - Tuba | $6.00 | |
| Scorpion! - Pt.4 - Cello/Bass | $6.00 | |
| Scorpion! - Percussion 1 | $6.00 | |
| Scorpion! - Percussion 2 | $6.00 | |
| Scorpion! - Mallet Percussion | $6.00 |
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Description
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About the Composer: Richard L. Saucedo

Richard L. Saucedo spent 31 years building Carmel High School's bands into one of Indiana's most decorated programs. His ensembles won state championships, performed at the Music for All National Concert Band Festival multiple times, and the marching band claimed top-ten finishes at the Bands of America Grand National Championship for 17 consecutive years, including national titles in 2005 and 2012. He was recognized as Indiana's Bandmaster of the Year in 1998-99 and Outstanding Music Educator in 2010.
Since retiring in 2013, Saucedo has remained deeply connected to the field as a composer and arranger, a Music for All senior educational consultant, and the music ensemble coordinator for the Blue Devils Drum and Bugle Corps. His arranging work with the Cavaliers contributed to five DCI world championships. He was inducted into the Music for All Hall of Fame in 2015 and the Drum Corps International Hall of Fame in 2022, and holds membership in the American Bandmasters Association.
Why we love this
Saucedo understands what second-year players need: music that's genuinely fun to perform without sacrificing musicianship or energy. The flex scoring means you're not stuck waiting for missing instruments or parts. Whether your ensemble is full or patched together, this arrangement works, and that's rare at this level.
What to expect
"Scorpion!" moves with sharp, controlled intensity. The writing balances rhythmic momentum with spaces for ensemble to breathe, creating a performance that feels polished and professional without demanding virtuosity. There's genuine character here, not just competence.
Who it's for
Second-year band and flex ensemble players who benefit from accessible writing and strong melodic interest. Directors managing ensembles with unpredictable instrumentation will find the part flexibility essential. This works equally well for after-school ensembles, community bands, or school programs where turnover and attendance vary.
How to get the most out of it
- Balance the four parts so no single line dominates. In mixed ability groups, consider doubling stronger players on weaker parts rather than assigning one person per part.
- Set a tempo that allows your second-year players to execute rhythmic figures cleanly. Rushing "Scorpion!" sacrifices the piece's character.
- Commit fully to the percussion parts. Even simple battery work shapes the energy and drives the overall groove forward.
How to use it
Open a concert or program section with this piece. Its moderate length and high engagement factor work beautifully as a crowd-pleaser before moving into deeper or more challenging repertoire. It's also ideal for early in the season when you're still building ensemble confidence and cohesion.
Skills your students will build
- Reading four-part concert arrangements with independent line work
- Maintaining rhythmic precision in active, syncopated passages
- Balancing ensemble parts to support overall texture rather than compete
- Responding to percussion cues and coordinating with battery-driven rhythms
- Building confidence through successful performance of accessible but musical material