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Schumann on Music: A Selection from the Writings: Book

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Schumann on Music: A Selection from the Writings Cover Image

Schumann on Music: A Selection from the Writings: Book

A Selection from the Writings

Robert Schumann

Item: 06-257487

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Description
A lesser-known fact about the genius composer, Robert Schumann, is that he was also a gifted music critic. This is a collection of 61 of Schumann's most important critical pieces that he wrote for the Neue Zeitschrift für Musik, the influential music journal that he founded in 1834.t, and Cherubini plus revealing essays on minor masters such as Spohr, Hiller, Field, Moscheles, Hummel, and Gade. (translated & edited by Henry Pleasants)

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Additional Details
Series: Dover Edition
Publisher: Dover Publications
ISBN10: 0-486-25748-7
ISBN13: 978-0-486-25748-8
UPC: 9780486257488
SKU: 06-257487

More about this title

About the Author: Robert Schumann

Robert Schumann (1810-1856) was a composer of towering importance, but his influence on music extended far beyond his own symphonies, concertos, and songs. From 1834 onward, he shaped the course of Romantic music as a tireless advocate and critic, using the pages of the Neue Zeitschrift für Musik (New Journal for Music), which he founded, to champion new voices and articulate the aesthetic values of his era. His writings reveal a mind deeply engaged with the music of his contemporaries and predecessors, always asking what makes music matter.

Schumann's critical voice was distinctive: direct, passionate, and unafraid to champion unknown composers or challenge established reputations. He wrote not as a detached observer but as a working musician invested in the future of the art form. His essays on Chopin, Berlioz, Brahms, and Mendelssohn are still read today for their insight, while his pieces on lesser-known figures preserve a vital record of musical taste and discovery during the Romantic period.

Why we love this

Schumann's criticism offers music educators and serious students a window into 19th-century musical values and a model of thoughtful, engaged listening. These essays reveal how composers talked about music with one another, what they valued, and how they understood their own historical moment. Reading Schumann's assessments of his contemporaries teaches you how to listen critically and write persuasively about music.

What to expect

Schumann writes with the urgency of someone who genuinely loves music and wants others to understand why it matters. His prose is alive with conviction, moving between analytical precision and lyrical enthusiasm, sometimes across a single paragraph. You feel his presence on the page, arguing, celebrating, sometimes dismissing, always thinking.

Who it's for

Music history students, composers, and music educators seeking primary source material on Romantic-era aesthetics and musical criticism. Anyone curious about how Schumann himself heard the music of his time and what he believed music should do.

How to use it

Assign excerpts in music history or theory seminars alongside the works Schumann discusses. Use his essays on specific composers as preparation for performing or studying their music, or have ensemble members read his thoughts before rehearsing a contemporary work. His piece on form and expression can illuminate discussions about program music and absolute music.

Skills your students will build

  • Reading and interpreting primary sources from music history
  • Understanding Romantic-era aesthetic values and compositional priorities
  • Developing a critical listening vocabulary beyond technical analysis
  • Recognizing how historical context shapes musical judgment and taste

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