Schubert: Sonatina No. 1 in D Major, Op. 137: Viola Book
By Franz Schubert
Item: 00-PK-0003470
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Description
A solo, for Viola with Piano Accompaniment, composed by Franz Schubert.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Schubert: Sonatina No. 1 in D Major, Op. 137: Viola Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
24
SKU:
00-PK-0003470
More about this title
About the Composer: Franz Schubert
Franz Schubert (1797-1828) was an Austrian composer whose gift for melody shaped the Romantic era and elevated the art song to new expressive heights. Though he died at 31, he composed prolifically across symphonies, chamber music, and vocal works that balance Classical form with Romantic emotional depth.
Schubert's chamber works, including his sonatinas, reveal his mastery of intimate dialogue between instruments. Written late in his life, these pieces showcase his ability to sustain lyrical lines and create harmonic richness within transparent textures, making them ideal for musicians developing interpretive maturity.
Why we love this
This sonatina sits at the ideal intersection of technical accessibility and musical substance. The writing is idiomatic for viola without demanding virtuosity, leaving room for singers and players who want to focus on phrasing, tone production, and the gossamer harmonic world Schubert creates between soloist and pianist.
What to expect
Intimate and reflective, with the warmth of Schubert's lyrical gift. The viola sings in its most graceful register while the piano provides a quietly shimmering accompaniment, creating the sense of a private conversation between equals rather than a virtuosic display.
Who it's for
This sonatina serves violists at the upper intermediate to early advanced level who are ready for substantial chamber repertoire. It works equally well for studio teachers seeking material that develops musical maturity and for ensemble directors building viola concerto experience.
How to get the most out of it
- Shape the opening melody with long-range phrasing rather than emphasizing individual measures; the line rewards a sense of forward momentum across entire phrases.
- Balance ensemble sound by listening closely to the piano's inner voices, which often contain harmonic and rhythmic material that anchors the viola's lyrical statements.
- Approach tempo relationships between movements with flexibility; Schubert's Classical proportions benefit from slight tempo adjustments that serve dramatic effect rather than strict metronomic consistency.
- Use dynamic gradations subtly. Schubert's notation is spare by modern standards, so resist the urge to overstate crescendos; let shifts in texture and harmonic color do much of the expressive work.
How to use it
Program this as a chamber recital centerpiece or as part of a Schubert focus evening. Its modest scale and emotional directness make it an excellent partner for songs or other chamber works from the same period, and its length allows it to anchor a recital without overwhelming lighter works on the same program.
Skills your students will build
- Sustaining long melodic lines with consistent tone and vibrato
- Balancing with piano accompaniment and listening to inner harmonic voices
- Interpreting Romantic-era phrasing within Classical formal structures
- Developing interpretive choices with minimal dynamic notation