School of Violin Technics, Opus 1, Volume IV  Cover Image

School of Violin Technics, Opus 1, Volume IV: Violin Book

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School of Violin Technics, Opus 1, Volume IV  Cover Image

School of Violin Technics, Opus 1, Volume IV: Violin Book

By Otakar Ševcík

Item: 00-K03953

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Description
This Otakar Sevcik method contains Exercises in Double Stops.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7579-3825-6
ISBN13: 978-0-7579-3825-2
UPC: 029156102062
SKU: 00-K03953

More about this title

About the Composer: Otakar Ševcík

Otakar Ševcík (1852-1934) was a Czech violinist and pedagogue whose systematic approach to string technique fundamentally shaped how violinists develop foundational skills. His Opus 1 school of violin technics remains one of the most widely used technical studies in string education, prized for its logical progression and comprehensive coverage of shifting, intonation, and bow control.

Why we love this

Volume IV isolates double stops in a way that makes this challenging technique approachable and systematic. Rather than scattering double-stop studies across a method, Ševcík devotes an entire volume to building confidence and accuracy, so students develop real mastery instead of surface-level comfort.

What to expect

Methodical and focused. The exercises strip away melodic distraction to concentrate entirely on the mechanics of playing two strings simultaneously with clean starts, balanced tone, and precise intonation.

Who it's for

Intermediate and advanced violinists who have mastered single-string facility and are ready to tackle parallel and mixed interval double stops. This book serves students preparing for higher-level repertoire that demands secure double-stop technique.

How to get the most out of it

  • Establish the interval relationship before drawing the bow; mentally lock in the pitch of both strings so your ear guides your fingers as much as your eyes.
  • Practice each exercise slowly enough to hear both notes with equal clarity and weight. Speed follows only after intonation locks in.
  • Work through the exercises in the order presented; the progression deliberately layers new technical demands rather than mixing them randomly.

How to use it

Assign this as a technical study alongside solo repertoire rather than as performance material. A student working through these exercises builds the technical foundation needed to execute double stops confidently in concertos and chamber music.

Skills your students will build

  • Parallel and mixed-interval double stops across all string combinations
  • Balanced tone production on two strings with equal clarity
  • Left-hand finger independence and simultaneous stopping accuracy
  • Intonation control when playing multiple pitches at once
  • Bow control and pressure distribution across doubled strings

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