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Scherzo: Piano Sheet

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Scherzo Cover Image

Scherzo: Piano Sheet

By Igor Stravinsky

Item: 12-0571505120

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Description
Composed in 1902 it is a miracle that Stravinsky's Scherzo in G minor survives at all. Most of the pieces from his extreme youth were lost with the fall of the Russian Empire. But the Scherzo was found among the scores presented by the estate of Nicolai Ivanovich Richter, a pianist and friend of Stravinsky's youth, to the Soviet government, and it was published in facsimile in 1972.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50512-0
ISBN13: 978-0-571-50512-8
UPC: 9780571505120
SKU: 12-0571505120

More about this title

About the Composer: Igor Stravinsky

Igor Stravinsky (1882, 1971) shaped modern music across three continents and multiple stylistic periods. His early works, composed in Russia before the Revolution, reveal a composer already grappling with innovative harmony and orchestration, though many were lost to history. This Scherzo stands as a rare surviving artifact from his formative years, before the ballets that would make him famous.

Why we love this

Students rarely encounter Stravinsky in his purely pianistic voice, and this early work offers something unexpected: a piece that is compositionally adventurous without being impossibly difficult. The historical intrigue matters too. Knowing that this score nearly vanished, only to resurface through a pianist's estate decades later, transforms a student's relationship to the music. It's not just notes on a page; it's a recovered piece of cultural memory.

What to expect

Imagine a scherzo that exists between worlds: rooted in Russian salon tradition yet nudged forward by modern harmonies that feel both elegant and slightly unsettling. The piece carries a restless, mercurial quality, with moments of tenderness interrupted by bursts of rhythmic energy. It invites the pianist to discover elegance within constraint.

Who it's for

Intermediate to advanced pianists ready to explore early 20th-century writing with historical depth. Teachers seeking to expand their students' understanding of Stravinsky beyond the canonical ballets will find this an engaging entry point.

How to get the most out of it

  • Treat the rhythmic gestures with clarity and snap. The scherzo character demands precision in attack, especially in the lighter textures, so students hear the architecture beneath what might otherwise feel scattered.
  • Honor the harmonic surprises without letting them derail momentum. Stravinsky's early harmonic language can feel unstable to ears trained on Romantic music, but maintaining a steady pulse keeps the piece coherent.
  • Balance lyrical moments against the scherzo's inherent playfulness. This is a piece with character, not mere technical display, so allow the musical personality to emerge through phrasing and color.

How to use it

Pair this with other early 20th-century works for a recital devoted to rediscovered or lesser-known repertoire. It also works beautifully in a concert exploring Stravinsky's evolution, played alongside the orchestral ballets in transcription to show the composer's pianistic thinking.

Skills your students will build

  • Navigating early Stravinsky's harmonic language and chromatic voice leading
  • Balancing rhythmic precision with musical phrasing in modernist idiom
  • Interpreting historical source materials (this score's facsimile publication requires attention to manuscript conventions)
  • Understanding scherzo form and character beyond Romantic models

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