Say Hey (I Love You) (arr. Audrey Snyder): 2-Part Choral Octavo

Audrey Snyder's arrangement captures the joy and immediacy of this feel-good anthem while making it genuinely singable for young choirs. The reggae-inflected pop groove gives students permission to sing with personality and swagger, something they often need permission to do. It's the kind of piece that reminds singers why they love making music together.

Warm and celebratory, with a laid-back groove that never loses momentum. The reggae DNA keeps things grounded and groove-based, while the pop melody ensures accessibility and immediate connection with both singers and listeners.

Any choir seeking contemporary repertoire that energizes rehearsals and audiences alike. This works for middle school through community choirs, and it's particularly valuable for directors building programs around positive, joyful themes.

• Anchor the reggae rhythmic feel by having your rhythm section lock the offbeat emphasis from the first rehearsal. This groove is the heart of the arrangement.
• Encourage natural phrasing over metronomic precision. The beauty of reggae-influenced pop is its relaxed, conversational quality; let singers find the pocket rather than fight it.
• Balance the two parts so neither disappears. In contemporary arrangements, it's tempting to let the melody dominate, but the supporting voicing here deserves equal weight and care.

Consider this for a spring or end-of-year concert where you want to leave audiences smiling. It pairs beautifully with other contemporary selections or as a palate cleanser between heavier choral works. The 10-page score moves at a manageable pace, making it ideal for building confidence in mixed-age or developing choirs.

• Reggae rhythmic feel and offbeat emphasis
• Singing contemporary pop music with style and personality
• Two-part balance and blend in a light, energetic context
• Working with syncopation and groove-based phrasing