Saxophone Quartet Cover Image

Saxophone Quartet: 4 Saxophones SATBar Conductor Score & Parts

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Saxophone Quartet Cover Image

Saxophone Quartet: 4 Saxophones SATBar Conductor Score & Parts

By Greg Yasinitsky

Item: 01-ADV7435

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Description
Saxophone Quartet was composed especially for presentation at the Montana Saxophone Festival and is dedicated to the festival's director, saxophonist Brooke Ferris. The first movement, "Calliope," juxtaposes mechanized rhythmic patterns against legato, lyric melodies. The second movement, "Chorale," explores homophonic, harmonic textures which alternate with lyric and contrapuntal passages, and was adapted from a short work composed for saxophone quartet in 1975. The last movement is a fugue.

Movements: Calliope * Chorale * Fugue.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095074352
SKU: 01-ADV7435
Instrumentation: 4 Saxophones SATBar

More about this title

Why we love this

Yasinitsky gives saxophone quartets real structural substance here. Rather than settling for homogeneous textures across four saxes, he uses the three-movement arc to explore radically different compositional territories: rhythmic propulsion, harmonic density, and contrapuntal rigor. Programs that program this one signal serious musicianship from their quartets.

What to expect

The opening strikes you with mechanical drive that gradually softens into singing lyricism. The middle movement unfolds like a chorale meditation interrupted by fugal conversations before the final movement locks into pure contrapuntal architecture. It's a journey from rhythm to harmony to form.

Who it's for

Saxophone quartets ready to move beyond arrangements into genuinely composed chamber music. This work demands solid ensemble listening skills and comfort with changing textural contexts across three substantial movements.

How to get the most out of it

  • Balance the mechanized rhythmic patterns against the legato melodies in Calliope by making sure the rhythmic layer doesn't overwhelm the lyric writing. Clarity of texture matters more than volume.
  • In the Chorale, mark exactly where the music shifts between homophonic and contrapuntal passages so all four players can hear the structural transitions clearly in rehearsal.
  • Approach the Fugue with the same architectural precision you'd bring to a Bach work. Every voice entry and stretto needs to land with rhythmic exactness across all parts.

How to use it

Feature this as a standalone chamber work on a jazz ensemble or woodwind ensemble concert. The three-movement structure gives it enough weight and variety to anchor a program without needing a full concert's worth of saxophone quartet repertoire around it.

Skills your students will build

  • Balancing rhythmic precision with lyrical phrasing across ensemble members
  • Listening for and executing subtle texture shifts between homophonic and contrapuntal writing
  • Voice independence in fugal writing while maintaining ensemble cohesion
  • Dynamic control in mechanized rhythmic passages

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