Saxology: Prelude VII Cover Image

Saxology: Prelude VII: 5 Saxophones SATTBar Conductor Score & Parts

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Saxology: Prelude VII Cover Image

Saxology: Prelude VII: 5 Saxophones SATTBar Conductor Score & Parts

By Bill Dobbins

Item: 01-ADV7520

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Description
"Prelude VII" is a medium swing chart, based on the chord changes of "Pennies from Heaven," and is written by Bill Dobbins. A refreshing change for players and audiences, it has been arranged for five saxophones (SATTBar).

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Additional Details
Series: Advance Music: Saxology
Publisher: Advance Music
UPC: 805095075205
SKU: 01-ADV7520
Instrumentation: 5 Saxophones SATTBar

More about this title

About the Composer: Bill Dobbins

Bill Dobbins is a composer, arranger, and educator whose work spans jazz, classical, and contemporary idioms. His contributions to wind band and small ensemble literature have made him a respected figure in music education, with compositions and arrangements performed by student and professional ensembles worldwide.

Why we love this

This arrangement gives five saxophonists a genuine jazz experience built on a standard's harmonic foundation, offering sophisticated voicing without sacrificing playability. The medium swing tempo and clear part writing allow each section member to contribute meaningfully to the ensemble sound rather than doubling in unison.

What to expect

Medium swing with the warmth of a classic standard, dressed in contemporary harmonic color. The arrangement invites players into conversational ensemble playing where individual voices contribute to a cohesive whole rather than competing for prominence.

Who it's for

Intermediate to advanced high school and college saxophone quintets seeking repertoire that bridges jazz pedagogy and concert performance. Directors building saxophone ensemble programs will find this a valuable addition that develops jazz vocabulary while maintaining musical integrity.

How to get the most out of it

  • Balance the blend by tuning the baritone as your harmonic anchor; the lower voice stabilizes the voicings across the section.
  • Commit to a consistent swing feel from the opening; this groove carries the piece and makes the harmonic movement land with purpose.
  • Shade the dynamics across sections carefully so upper voices remain heard without overpowering the foundation established by tenor and baritone.
  • Let the chord changes breathe naturally rather than rushing through transitions between passages; the standard's harmonic language rewards patient phrasing.

How to use it

Program this alongside classical woodwind ensemble works to showcase your saxophone section's range and versatility. It works equally well in a jazz-focused concert or as a distinctive moment in a mixed chamber music evening.

Skills your students will build

  • Reading and executing swing eighth-note phrasing
  • Voice leading within five-part saxophone voicings
  • Harmonic awareness built through jazz chord changes
  • Ensemble balance and blend across the saxophone family
  • Interpreting jazz articulation and dynamic shaping from notation

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