Saxology: Creature Feature Cover Image

Saxology: Creature Feature: 5 Saxophones SATTBar & Piano, Guitar (Ad Lib), Double Bass, Percussion Conductor Score & Parts

$39.95 USD
Sale price  $39.95 USD Regular price 
Skip to product information
Saxology: Creature Feature Cover Image

Saxology: Creature Feature: 5 Saxophones SATTBar & Piano, Guitar (Ad Lib), Double Bass, Percussion Conductor Score & Parts

By Jerry Bergonzi / arr. Ramon Ricker

Item: 01-ADV7502

$39.95
Shipped

One moment…

Description
This medium tempo straight-eighth feel work, "Creature Feature," is moody, obtuse, even spooky, and offers an interesting programmatic change. Although originally written for five saxophones (SAATBar), piano, guitar, double bass, and percussion, this arrangement works equally well using the optional parts for a trumpet/flugelhorn and trombone.

Saxology: Creature Feature: 5 Saxophones SATTBar & Piano, Guitar (Ad Lib), Double Bass, Percussion Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio

track 1

0:00
0:00
Sample Video
Additional Details
Series: Advance Music: Saxology
Publisher: Advance Music
UPC: 805095075021
SKU: 01-ADV7502
Instrumentation: 5 Saxophones SATTBar & Piano, Guitar (Ad Lib), Double Bass, Percussion

More about this title

About the Composer: Jerry Bergonzi

Jerry Bergonzi is a saxophonist, composer, and educator whose work bridges jazz tradition and contemporary instrumental writing. His compositions for saxophone ensembles combine strong harmonic sophistication with accessibility, making them valuable resources for advanced high school and college programs exploring jazz repertoire.

Why we love this

Bergonzi's arrangement gives saxophonists a chance to dig into genuinely interesting harmonic and rhythmic territory without requiring a full big band setup. The optional trumpet and trombone parts mean you can program this flexibly, whether you're running a dedicated saxophone quintet or pulling players from your jazz ensemble.

What to expect

Moody and atmospheric, with an almost cinematic quality that justifies its "Creature Feature" title. The straight-eighth feel keeps the piece grounded and modern, while the harmonic language creates an intriguing sense of unease and mystery that never tips into kitsch.

Who it's for

This work suits advanced high school or college saxophonists who are comfortable with jazz phrasing, harmonic reading, and ensemble blend. It also works for mixed jazz ensembles that want to shift repertoire away from standard swing charts toward more contemporary compositional thinking.

How to get the most out of it

  • Balance the five saxophone voices carefully during the opening statement; the baritone grounds the sonority, but the alto and soprano lines need clarity to define the mood.
  • Work the straight-eighth feel as a section first, settling the groove with the rhythm section before layering in the melodic content.
  • Let the spooky, obtuse character breathe; resist rushing through the rests and space that define the programmatic atmosphere.
  • If using the trumpet and trombone substitutions, adjust the dynamic balance accordingly since those colors will cut differently than the original saxophone voicing.

How to use it

Program this in a concert focused on contemporary jazz composition or chamber jazz, where it can serve as an interesting contrast to more traditional swing or bebop arrangements. It also works well in a recital setting when you want to showcase your ensemble's ability to communicate mood and character alongside technical facility.

Skills your students will build

  • Reading and executing straight-eighth feel in a jazz context
  • Blending five-part saxophone voicings (SAATBar) for cohesive sonority
  • Interpreting harmonic language that moves beyond standard jazz progressions
  • Balancing rhythmic precision with interpretive phrasing in a moody setting
  • Adapting to optional instrumentation changes (trumpet/trombone substitutions)

You May Also Like