Saving All My Love For You: Jazz Ensemble Conductor Score & Parts
By Gerry Goffin / By Michael Masser / As performed by Whitney Houston / Arranged by Paul Lavender
Grade: 3
Item: 35-PK00247882
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About the Composer: Gerry Goffin
Gerry Goffin was a legendary lyricist and songwriter who shaped American pop music across multiple decades. Working with composer Michael Masser and countless collaborators, Goffin crafted hits that bridged soul, R&B, and pop genres while maintaining emotional directness and memorable melodic hooks.
Why we love this
Paul Lavender's arrangement captures the heart of Whitney Houston's signature ballad while stripping away excess and letting your ensemble shine. The medium slow swing setting gives students the breathing room to develop nuance without losing the bluesy soul that made the original iconic, and short solo features mean every section gets a moment in the spotlight.
What to expect
Intimate and lush, like sitting in a quiet room while someone pours their heart into a confession. The bluesy undertones and slow swing create space for reflection, and the ensemble voices blend into a warm, unified sound that feels both sophisticated and soulful.
Who it's for
Jazz ensembles working at grade 3 level who want to program something contemporary and immediately recognizable without sacrificing musicianship. Directors seeking an arrangement that engages all voices and builds comfort with swing while keeping rehearsal time manageable.
How to get the most out of it
- Balance the alto and trumpet solos so they sit naturally in the ensemble texture; these aren't showstoppers but intimate conversations within the group sound.
- Settle into the swing feel early in rehearsals. The slow tempo is deceptive; it requires precise rhythmic control and confidence from the rhythm section to support the ensemble's phrasing.
- Let the melody opportunities across sections develop organically rather than highlighting them aggressively. The beauty of the arrangement lives in collective storytelling, not individual spotlights.
- Shape the bluesy harmonic language by listening for the color of suspended chords and minor inflections; this isn't straight pop, so encourage your players to find the jazz inflection in every phrase.
How to use it
This works beautifully as a second-half ballad following uptempo openers, offering contrast without dropping energy. You can also pair it with other soul or pop standards to build a thematic concert around contemporary classics that speak to your students' world.
Skills your students will build
- Swing eighth-note feel and rhythmic precision at slower tempos
- Balancing solo passages within ensemble texture
- Reading bluesy harmonic language and jazz inflections
- Collective listening and phrasing across all sections
- Maintaining musicality in medium-slow tempos without rushing