Savages (Part 2) (from Pocahontas): E-Z Play Today

As performed by Alan Menken

Item: 35-DS01729203

Digital Download
$4.99
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Savages (Part 2) (from Pocahontas): E-Z Play Today isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS01729203

More about this title

About the Artist: Alan Menken

Alan Menken stands among the most successful film composers of the modern era, with a catalog that shaped animated cinema across multiple decades. His collaborations with lyricist Howard Ashman on films like The Little Mermaid and Beauty and the Beast established the template for contemporary musical storytelling in animation, earning him two Academy Awards and countless other accolades.

Menken's approach to composition balances accessibility with genuine musical substance. His melodies lodge themselves in memory while the harmonies and orchestrations reward close listening, making his work ideal for music education contexts where students encounter pop songwriting alongside serious compositional craft.

Why we love this

This arrangement captures the rhythmic aggression and dramatic sweep of the original while remaining playable for intermediate pianists. The E-Z Play format strips away unnecessary complexity without sacrificing the emotional arc that makes this number a standout moment in the film.

What to expect

Raw tribal energy meets calculated menace. This number throbs with indigenous rhythms and fierce conviction, creating a soundscape where cultures clash through percussion, dissonance, and relentless forward motion. The piano captures organized aggression rather than chaos.

Who it's for

Piano students working at the intermediate level who want experience with film music and contemporary songwriting. Teachers programming Disney selections or building units around antagonist music in musical theater will find this a compelling addition.

How to get the most out of it

  • Lean into the minor key and syncopated rhythms to establish the antagonistic tone. These characters own their menace, and the piano should reflect that conviction.
  • Pay attention to dynamic shifts between sections. Contrast softer, almost plotting moments with explosive forte passages to maintain dramatic momentum across the three pages.
  • Keep articulation clean and precise in the faster passages. Muddiness here undercuts the orchestral clarity that defines the original arrangement.
  • Support the vocal line generously when playing as accompaniment. Menken wrote this number for ensemble attack, so your accompaniment should provide clear harmonic and rhythmic foundation.

How to use it

Pair this with other antagonist numbers in a film music or musical theater unit to study how composers characterize opposition through orchestration and melody. Students studying underscore composition benefit from analyzing how Menken builds tension and pacing across a dramatic scene.

Skills your students will build

  • Playing syncopated rhythms with precision and control
  • Maintaining dramatic tension through dynamic contrast and phrasing
  • Reading and interpreting chord-based notation in contemporary music
  • Accompanying ensemble vocals with rhythmic clarity

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