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Savage Dance: Concert Band, Score and Parts

$55.00 USD
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Savage Dance Cover Image

Savage Dance: Concert Band, Score and Parts

By Andrew Balent

Grade: 1

Item: 36-20100760

$55.00
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Description
Andrew Balent's SAVAGE DANCE is a driving, primitive dance of an imaginary ancient people. It could have been used at a festival or large public gathering with the intention of lifting the spirits of its audience. Hand clapping adds excitement and gives an opportunity to reinforce rhythmic precision and subdivision. This work is excellent for concert, contest, or festival presentations.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 746241232328
SKU: 36-20100760
Instrumentation: Concert Band

More about this title

Why we love this

Balent captures the visceral energy of a communal celebration without resorting to complexity or demanding virtuosity. The hand clapping element transforms the piece from something your band plays into something your band and audience experience together, creating a shared musical moment that sticks with both groups long after the final note.

What to expect

Raw and propulsive, like witnessing the focused energy of an ancient community moving together in celebration. The persistent pulse and hand clapping create an almost hypnotic forward motion, while the uncomplicated melodic content allows players to lock into the groove rather than navigate complex counterpoint.

Who it's for

Grade 1 bands seeking accessible repertoire that delivers genuine concert impact and teaches rhythmic discipline through a high-energy arrangement. This piece works equally well for young ensembles building confidence and for intermediate groups preparing contest or festival material.

How to get the most out of it

  • Establish the hand clapping as a foundational rhythmic layer before the ensemble enters; isolate this section in rehearsal so clapping remains precise and unwavering beneath the driving harmonies.
  • Balance the primitive melodic material against the rhythmic momentum. This is not a lyrical piece, so resist the urge to shape phrases broadly; let the relentless pulse define the character.
  • Mark subdivisions clearly in parts where hand clapping occurs. Younger players often lose track of their own voice when a percussive element is prominent, so rehearse ensemble and clapping simultaneously early and often.
  • Shape dynamic peaks around the ensemble's melodic material rather than the hand clapping, which should remain consistent to anchor the rhythmic foundation.

How to use it

Open a concert with this piece to immediately engage an audience and set an energetic tone for the program. It also serves as strong contest material for bands prioritizing tightness and rhythmic precision over technical display.

Skills your students will build

  • Maintaining steady pulse while performing independently from the ensemble
  • Subdividing against a driving rhythmic foundation
  • Executing hand percussion coordination with instrumental parts
  • Balancing dynamic energy across an entire piece without relying on traditional phrase shaping
  • Responding to primitive, non-Western rhythmic organization

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