Saturday in the Park / Wishing You Were Here Cover Image

Saturday in the Park / Wishing You Were Here: Marching Band Conductor Score & Parts

$60.00 USD
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Saturday in the Park / Wishing You Were Here Cover Image

Saturday in the Park / Wishing You Were Here: Marching Band Conductor Score & Parts

The Music of Chicago, Part 2

[Chicago] / arr. Mike Story

Grade: 2 (Easy)

Item: 00-40211

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Description
Part 2 of our Chicago show begins with the upbeat "Saturday in the Park" before moving into the haunting and mysterious "Wishing You Were Here." Mike uses an array of effects in this exceptionally well-scored chart, including an easy trombone solo. The arrangement also contains excellent visual potential. (2:15)

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Sample Pages

Sample Audio
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Sample Video
Additional Details
Series: Big and Easy
Publisher: Alfred Music
Page Count: 227
UPC: 038081452470
SKU: 00-40211

More about this title

About the Artist: Chicago

Chicago emerged in the late 1960s as one of rock's most sophisticated ensembles, building a catalog defined by horn-driven arrangements, complex harmonies, and an ability to balance radio accessibility with genuine musicianship. The band's fusion of rock, jazz, and pop sensibilities made them a staple of American popular music for decades, and their songs remain fixtures in contemporary music education contexts.

Why we love this

Mike Story's arrangement captures the infectious energy of "Saturday in the Park" while showcasing the tonal and textural contrasts that make "Wishing You Were Here" so compelling. The scoring demonstrates how Grade 2 marching repertoire can deliver genuine artistic substance without overwhelming developing ensembles, and the visual potential gives your visual designers real material to work with.

What to expect

The opening radiates the optimistic, summery groove of "Saturday in the Park," with bright, driving rhythms and a sense of celebration. When "Wishing You Were Here" arrives, the mood shifts into something more introspective and moody, with atmospheric sonorities and the intimate trombone solo creating a haunting contrast that lingers long after the final note.

Who it's for

Marching bands at the Grade 2 level who want meaningful repertoire with genuine musical content and visual storytelling potential. This score works equally well for programs building toward full-scale productions or for ensembles seeking a substantive closer that feels more sophisticated than typical easy-level fare.

How to get the most out of it

  • Balance the trombone solo carefully; it should sing above the ensemble but never overpower the harmonic foundation that supports it.
  • Commit to the tonal shift between the two songs. The upbeat character of the first section requires brightness and definition; the mysterious quality of the second demands controlled, sustained voicing.
  • Articulation clarity matters in both sections. The effects Mike includes depend on precise ensemble alignment, particularly in rhythmic figures that sit across multiple sections.
  • Use the recorded accompaniment to lock in the tempos and phrasing of both movements, especially during transitions where momentum can easily falter.

How to use it

Program this as a complete movement within a larger show, or use it as a standalone closer if you're building a multi-song concept. The length (2:15) and tonal arc make it an excellent bridge between a high-energy first half and a reflective finale, giving audiences time to settle into a different emotional space.

Skills your students will build

  • Executing sustains with control and consistency across multiple sections
  • Translating textural and tonal changes in real time
  • Balancing ensemble sound while supporting a featured solo
  • Maintaining accuracy in syncopated rhythmic figures common to rock idioms
  • Responding to visual cues that correspond to musical mood shifts

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