Sarabande and Bouree Cover Image

Sarabande and Bouree: Clarinet Part(s)

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Sarabande and Bouree Cover Image

Sarabande and Bouree: Clarinet Part(s)

By George Frideric Handel / arr. Nilo W. Hovey and Beldon Leonard

Grade: (III)

Item: 00-FDS00293

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Additional Details
Publisher: Alfred Music
Page Count: 6
UPC: 029156171600
SKU: 00-FDS00293

More about this title

About the Composer: George Frideric Handel

George Frideric Handel (1685–1759) was a German-born composer who spent much of his career in England, where he became a central figure in Baroque music. His output spanned operas, oratorios, concertos, and instrumental suites, all marked by memorable melodies, clear harmonic language, and structural sophistication. For music students, Handel's work offers straightforward yet refined models of Baroque form and expression.

Why we love this

These two dances arrive as polished arrangements that make Baroque elegance accessible to intermediate clarinetists without sacrificing the music's essential character. The pairing of a stately sarabande and a buoyant bourée gives soloists a chance to explore contrasting Baroque dance styles in a single recital piece, and the six-page format fits comfortably into festival and contest programs.

What to expect

The sarabande opens with dignified restraint, its steady pulse and gentle ornamentation evoking courtly grace. The bourée that follows shifts into a lighter, more energetic mood, its dance character inviting a sense of forward motion while maintaining the refinement of the Baroque court.

Who it's for

Intermediate clarinetists preparing solo material for recitals, festivals, or solo competitions will find these arrangements ideal. The piece suits players who are comfortable with Baroque phrasing and want to add recognizable masterworks to their repertoire.

How to get the most out of it

  • Shape the sarabande's phrases with subtle dynamic breathing rather than obvious swells; let the harmonic progression guide your sense of line.
  • Maintain steady pulse in the bourée's faster passages, but resist rushing the ornamental figures that give the dance its characteristic lift.
  • Balance clarity in the lower register during the sarabande's deeper moments with ease in the upper register as the bourée develops.
  • Use natural articulation to let the inherent dance rhythm emerge without forcing a mechanical pulse.

How to use it

Program these pieces early in a recital to establish an elegant foundation, or pair them with a contemporary work to highlight the contrast between Baroque formality and modern expression. Their moderate length and accessible level make them ideal for young soloists appearing on youth orchestra or community band concert series.

Skills your students will build

  • Baroque phrasing and breath placement in sustained melodic lines
  • Contrasting articulation between two distinct dance styles
  • Ornamentation clarity and control in moderate tempos
  • Dynamic subtlety within a limited range of expression
  • Stylistic interpretation across paired dance forms

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