Santa Monica Stroll: Trombone 2

A California afternoon captured in sound: relaxed but never lazy, modern but steeped in jazz tradition. The harmonies keep listeners slightly off-balance in the best way, while the groove stays grounded and swinging.

Jazz ensembles ready to move beyond basic swing into more sophisticated harmonic territory. This works for groups with solid section reading and at least one confident tenor soloist.

• Balance the ensemble voicings carefully during the sax soli; the harmonies are sophisticated enough that tuning matters more than it would in a straighter arrangement.
• Spend time with your tenor 1 on phrasing and time feel before the section learns the solo. Their confidence will set the tone for how relaxed the whole chart feels.
• Lock the rhythm section early and often. Modern harmony works best when the foundation is solid and unrushed.
• Record a rough run-through and listen back for blend issues in the ensemble passages. The contemporary harmonic language makes balance more transparent than in traditional swing charts.

Program this on a jazz festival or concert where you want to show your ensemble's harmonic sophistication without abandoning accessibility. It pairs well alongside a traditional Nestico chart to illustrate how the language of big band writing continues to evolve.

• Reading and executing modern jazz harmonies (tritone substitutions, altered dominants)
• Solo articulation and phrasing in a swing context
• Section ensemble balance in contemporary voicings
• Rhythmic precision and time feel in a medium swinger
• Listening skills for chord quality and intonation in jazz voicings