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Santa Monica Stroll: Jazz Ensemble Conductor Score & Parts

$55.00 USD
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Santa Monica Stroll Cover Image

Santa Monica Stroll: Jazz Ensemble Conductor Score & Parts

By Jeremy Levy

Grade: 3.5

Item: 98-JE4154

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Description
This medium swinger from LA-based composer Jeremy Levy is similar to classic Sammy Nestico arrangements, but with a more modern harmonic touch. Featuring a great sax soli and a solo in tenor 1, this chart includes amazing ensemble writing as well!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Santa Monica Stroll: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Intermediate Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 674398233496
SKU: 98-JE4154

More about this title

About the Composer: Jeremy Levy

Jeremy Levy is a Los Angeles-based composer and arranger who writes for jazz ensembles with an ear for balancing accessibility with harmonic sophistication. His work draws inspiration from the golden age of big band writing while incorporating contemporary voicings and textural ideas that keep the music sounding fresh.

Why we love this

Levy captures the spirit of classic mid-century jazz arranging while refusing to be bound by it. The harmonic language feels contemporary without abandoning the driving, straightforward groove that makes a swinger fun to play, and the balanced mix of section writing and featured solos gives every chair in the ensemble something memorable to do.

What to expect

A confident stroll down a California boulevard on a clear day. The harmonic sophistication keeps things interesting for players accustomed to straight blues changes, while the medium tempo and accessible groove make it instantly enjoyable to both perform and hear.

Who it's for

Intermediate jazz ensembles ready to move beyond learning charts and start interpreting them. This piece works for groups with solid section players and at least one strong tenor saxophonist capable of carrying a featured solo with musicality.

How to get the most out of it

  • Shape the sax soli with clear articulation and consistent dynamics across the section; the section's cohesion will define the chart's swagger.
  • Lock the rhythm section to a steady, relaxed pulse underneath the written swing feel; rushing will flatten the groove.
  • Bring the tenor 1 solo forward in the mix during rehearsal so the section can hear and complement the featured line rather than overshadow it.
  • Balance ensemble unison passages by checking that all voices are singing the same vowel shape and that attack is simultaneous across the band.

How to use it

This is an excellent choice for a jazz festival or competition where you want to showcase both your ensemble's tightness and your best soloists. It also pairs well on a mixed program with bebop standards or more modern jazz fare, since it occupies a stylistic middle ground.

Skills your students will build

  • Swing articulation and phrasing on ensemble passages
  • Balancing section blend with featured solo prominence
  • Interpreting harmonic sophistication beyond basic jazz comping
  • Listening and responding to soloist while maintaining ensemble integrity
  • Reading and executing medium-tempo swing charts with stylistic accuracy

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