Santa Is the Man Cover Image

Santa Is the Man: 2-Part (with Opt. Staging) Choral Octavo

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Santa Is the Man Cover Image

Santa Is the Man: 2-Part (with Opt. Staging) Choral Octavo

Music by Lois Brownsey and Marti Lunn Lantz

Item: 00-19181

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Description
This "rockin' Santa" number features handclaps and foot stomps set to a rock beat. It's a quick-learn piece, and when you add the driving SoundTrax CD (complete with rock guitar and horn section) you've got an instant holiday hit. The melodies and the piano accompaniment are easy, and there's even a partner melody: "I've been good, so good, so good." Staging suggestions are included in the publication and on Sally's "In the Spotlight!" Video, #19803. A Christmas winner for 2-part groups.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Santa Is the Man: 2-Part (with Opt. Staging) Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081178271
SKU: 00-19181

More about this title

About the Composer: Lois Brownsey

Lois Brownsey

Lois Brownsey grew up in Philadelphia and studied at Temple University, where she developed skills in guitar and musical theatre before launching a career in songwriting and performance. From the 1970s through the 1990s, she performed as a bassist and vocalist in pop, rock, and blues ensembles across the United States and internationally, while simultaneously writing jingles for major brands including AT&T and GMC. Her partnership with Marti Lunn Lantz has produced numerous choral works and song collections for Alfred, with a particular focus on multicultural music and seasonal pieces.

Brownsey and Lantz have co-created popular titles such as "Winter's Frost," "Japanese Snow Song," and "The Colors of Winter," along with collections like Celebrations around the World and The Wonders of the Earth. She has also collaborated with Sally K. Albrecht on holiday-themed works. Now based in the Pocono Mountains of Pennsylvania, Brownsey co-owns Red Rock Recording Studios with her husband, recording engineer Kent Heckman, where many Alfred projects are produced.

Why we love this

Brownsey and Lantz understand the energy young singers need in a holiday concert, and this piece delivers pure fun without sacrificing musicality. The rock groove grounds the humor, the optional staging transforms it into theater, and the easy melody ensures even reluctant singers can learn it in rehearsal instead of spending weeks on technical challenges. Your 2-part singers will want to perform this one.

What to expect

Upbeat and playful, with the swagger of a rock tune and the physical fun of group claps and stomps. The melody is instantly singable, and the "I've been good, so good, so good" hook makes it memorable and fun to perform.

Who it's for

This is ideal for middle school or high school 2-part choirs looking for a contemporary holiday selection with personality. It works especially well for programs that want to balance traditional caroling with modern, youth-friendly arrangements.

How to get the most out of it

  • Lock in the foot stomps and handclaps as an ensemble before adding the vocals; treat the percussion gestures as part of the melodic phrase, not accompaniment.
  • If using the SoundTrax recording, run a few full run-throughs with the track so singers hear the guitar and horn section in context and learn to sing confidently over the driving beat.
  • Keep the rock character energetic and grounded; resist the urge to rush the tempo even when excitement builds.

How to use it

Open your second half with this piece to shift the energy after a round of traditional carols, or use it as the finale to leave your audience smiling. The optional staging makes it a standout if you're aiming for a concert with varied presentation styles.

Skills your students will build

  • Rock rhythm and groove singing (maintaining steady tempo over a driving beat)
  • Ensemble precision with spoken/rhythmic elements (foot stomps and handclaps)
  • Layered melody singing (managing a main melody and partner line simultaneously)
  • Performance confidence and character work through optional staging

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