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Santa Claus Overture (A Lyrical Intermezzo): Full Orchestra, Ensemble Works Conductor Score & Parts

$75.00 USD
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Santa Claus Overture (A Lyrical Intermezzo) Cover Image

Santa Claus Overture (A Lyrical Intermezzo): Full Orchestra, Ensemble Works Conductor Score & Parts

By Harry Rowe Shelley

Item: 36-A743002

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Description
Harry Rowe Shelley (1858-1947), American composer, organist, and professor of music saw his Santa Clause Overture (A Lyrical Intermezzo) published in 1900. A musical presentation of St. Nicholas at a time when the persona was still evolving, this eight-minute orchestral work offers a different feel from other holiday fare. Instrumentation: 2.2.2.2: 4.2.3.1: Timp.Perc(3-5): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 735816370152
SKU: 36-A743002
Instrumentation: Full Orchestra, Ensemble Works

More about this title

About the Composer: Harry Rowe Shelley

Harry Rowe Shelley (1858-1947) was an influential American organist and composer who shaped music education in the early twentieth century. As a professor and a prolific writer for orchestra, band, and voice, Shelley left behind a substantial catalog that reflects both his technical mastery and his ability to craft accessible, engaging works for performers at various levels.

Why we love this

This overture arrives at the holiday concert with a refreshingly lyrical voice. Rather than the boisterous jolliness of so many Christmas selections, Shelley gives you a meditative, almost wistful treatment of St. Nicholas that sits beautifully in a mixed concert program and rewards orchestras with rich harmonic writing and genuine substance.

What to expect

A gentle procession rather than a fanfare. Shelley's Santa Claus Overture breathes with a nineteenth-century harmonic warmth, moving through eight minutes with contemplative pacing and moments of genuine lyrical beauty. It captures something closer to reverence than celebration.

Who it's for

Conductors seeking holiday repertoire that offers artistic substance without demanding a massive orchestra will find solid ground here. This work suits ensembles strong enough to manage full orchestration yet looking to program something beyond the standard December fare.

How to get the most out of it

  • Balance the melodic lines across your string sections; Shelley distributes primary material generously, and clarity matters more than weight here.
  • The brass and woodwind colors work best when treated as warm accompaniment rather than punctuation. Resist the urge to push the tempo.
  • Pay attention to the percussion scoring (3-5 players); these touches are deliberate and should land with care, not percussion section habit.

How to use it

Open a concert with this to set a sophisticated holiday mood, or place it mid-program as a contrast to livelier material. Its length and modest but complete orchestration make it a sensible bridge between a demanding symphony and lighter fare, and it works particularly well in mixed concert contexts where you're not programming an entire evening of Christmas music.

Skills your students will build

  • Balancing multiple melodic lines in dense orchestration
  • Sustaining lyrical phrasing across eight-minute span
  • Reading and executing early twentieth-century American orchestral idiom
  • Coordinating five-part percussion without overwhelming the texture

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