Santa Claus Is Back In Town: TTBB Choral Octavo

Deke Sharon's arrangement captures the swagger and energy of this classic without requiring instrumental accompaniment, making it ideal for groups building confidence in contemporary repertoire. The flexible voicing options (TB/TTB/TBB/TTBB) mean you can cast it for your ensemble's actual needs rather than forcing voices into predetermined parts. This is the kind of tune that reminds singers why they joined choir in the first place.

Pure holiday swagger. The arrangement channels the original's attitude and drive while staying true to the melody that made this song iconic. You'll feel the beat moving through every voice part.

Treble and baritone sections looking for a crowd-pleasing arrangement that lands somewhere between fun holiday music and legitimate rock and roll. Ensembles comfortable with rhythmic independence and a contemporary style will find this accessible and engaging.

• Anchor the piece with a solid, unrushed bass line; the groove lives in the low voices, so make sure they lock into a clear pocket before layering the other parts.
• Lean into the humor and attitude of the lyrics. This song thrives on personality and swagger, not pristine perfection.
• Balance the block chord moments against the rhythmic sections; resist the urge to blend everything uniformly or you'll flatten the arrangement's character.
• Record a rough cut early in rehearsal so singers can hear how their individual parts fit into the whole texture.

This works equally well as a December centerpiece or as a season-crossing opener that reminds audiences rock and roll has always been part of holiday music. Pair it with more traditional carols to show the range of your repertoire, or use it to anchor a secular concert set.

• Maintaining rhythmic independence within homophonic textures
• Singing a cappella with secure intonation across four parts
• Interpreting rock and roll phrasing and stylistic nuance
• Reading and balancing flexible voicing options for ensemble fit
• Building confidence with contemporary, non-classical repertoire