Santa Baby Sheet Music Preview

Santa Baby: Jazz Ensemble Conductor Score & Parts

By Joan Javits / By Phil Springer / By Tony Springer / Arranged by Roger Holmes

Grade: 4

Item: 35-PK00246128

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Description
Originally recorded by Eartha Kitt in the '50s, this clever holiday favorite has also been recorded by a wide variety of artists in addition to being featured in the movie "Elf". Roger's medium swing arrangement is a natural for vocal solo with jazz band and sure to be a highlight of any holiday concert.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00246128

More about this title

About the Composer: Joan Javits

Joan Javits co-wrote this standard with Phil Springer and Tony Springer in the 1950s. The song became instantly iconic when Eartha Kitt recorded her sultry version, establishing it as a holiday jazz staple that has endured for over seven decades.

Why we love this

Roger Holmes captures the playful irreverence of the original while keeping the arrangement lean enough that your vocalist stays front and center. The Grade 4 difficulty sits in that sweet spot where your ensemble can execute the swing comfortably without losing the humor and sass that makes this tune work.

What to expect

Sophisticated holiday spirit with a wink and a grin. The medium swing groove swings easy without demanding the machinery of a fast shuffle, while the arrangement keeps the melody front and center so the personality of your soloist can shine.

Who it's for

Jazz ensembles looking to program a vocal feature that audiences already know and love. Directors who want a holiday offering that's sophisticated enough for serious musicians yet accessible and fun for listeners.

How to get the most out of it

  • Nail the rhythmic pocket in the opening comping figures. These need to lock immediately so the vocalist can place their phrasing against something steady.
  • Balance the horn lines in the ensemble sections so they support rather than overshadow the lead voice. This piece belongs to the singer.
  • Work the dynamic shape of any instrumental interludes; they give the vocalist a chance to breathe and reset before coming back in.
  • Commit fully to the swing feel throughout. Even the ensemble hits need that loose, behind-the-beat quality that defines medium swing.

How to use it

Drop this into a holiday concert as a featured vocal moment between more instrumental selections. It plays beautifully as a set closer, sending the audience out with something they recognize and can actually enjoy rather than endure.

Skills your students will build

  • Comping rhythms and harmonic support in swing style
  • Balancing individual voices within ensemble textures
  • Swing articulation and rhythmic placement
  • Accompanying and supporting a featured soloist
  • Phrasing and dynamics across multiple dynamic levels

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