Santa Baby Sheet Music Preview

Santa Baby: Concert Band Conductor Score & Parts

By Joan Javits / By Phil Springer / By Tony Springer / Arranged by Michael Brown

Grade: 2

Item: 35-PK00191179

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$65.00

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Description
Originally recorded by Eartha Kitt in the '50s, this tongue-in-cheek holiday favorite has also been recorded by a wide variety of artists including Madonna, Faith Evans and Taylor Swift. Michael Brown's clever arrangement for young bands is the perfect lighter touch for the holidays. Dur: 3:00

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00191179

More about this title

About the Composer: Joan Javits

Joan Javits co-wrote "Santa Baby" with Phil Springer and Tony Springer in 1953. The song became a holiday standard after Eartha Kitt's iconic recording introduced its playful irreverence to the season. Javits' songwriting work defined mid-century popular music, and his compositions have remained part of the American musical canon for generations.

Why we love this

Michael Brown's Grade 2 setting keeps the tune's cheeky charm intact without overcomplicating the parts. This arrangement lets young musicians find their groove with a melody everyone recognizes, building confidence through a song that's genuinely fun to play. The accessible voicing means your entire band can sound polished in a holiday concert without excessive rehearsal time.

What to expect

Playful and vintage, with a wink built into every phrase. The arrangement captures that mid-century sass that made the original recording legendary, delivering nostalgia wrapped in humor and accessibility.

Who it's for

Concert bands at the Grade 2 level looking for holiday material that entertains without demanding complex technique. Directors building a festive program appreciate this title because it appeals to audiences across age groups while keeping part difficulty manageable for developing musicians.

How to get the most out of it

  • Keep the rhythm section crisp and relaxed; this tune lives in its shuffle feel, so lock in that pocket early and let the melody float above it.
  • Balance the vocal line if you have a soloist against the supporting figures in the band. The arrangement benefits from clarity between the featured melodic voice and accompaniment.
  • Resist the urge to rush. The three-minute duration gives you space to phrase naturally and let the humor of the piece breathe without pushing tempo.
  • Pay attention to dynamic contrast between verses. Small shifts in volume and texture will keep the audience engaged through the repeat sections.

How to use it

Place this as a standalone holiday feature or pair it with other seasonal selections for a mid-concert tone shift. Its three-minute length works perfectly as a second-half opener, offering your audience a moment of lighthearted contrast before you move into more substantial repertoire.

Skills your students will build

  • Playing swing rhythms and shuffle grooves
  • Balancing melody and accompaniment within ensemble texture
  • Phrasing for character and musical humor
  • Managing accessible band scoring across multiple sections

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