Santa Baby Sheet Music Preview

Santa Baby: Jazz Ensemble Conductor Score & Parts

By Joan Javits / By Phil Springer / By Tony Springer / As performed by Eartha Kitt / Arranged by John Berry

Grade: 3

Item: 35-PK00130255

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Description
Most notably recorded by Eartha Kitt, but also featured in the movie "Elf" (recorded by Madonna), here is a terrific medium swing chart guaranteed to spice up your holiday concert. Tenor sax is featured on the melody and there are short solo spots for trumpet and trombone as well. Plenty of great ensemble writing!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00130255

More about this title

About the Composer: Joan Javits

Joan Javits co-wrote "Santa Baby" with Phil Springer and Tony Springer, creating one of the most recognizable holiday jazz standards. The song first gained prominence through Eartha Kitt's sultry 1953 recording, which established its place in the jazz vocal repertoire and popular culture.

Why we love this

John Berry's arrangement captures the sophisticated swing sensibility of the original while giving your ensemble clear solo opportunities that let your players shine. The chart respects what makes the tune work (that irresistible melody, the laid-back groove) while building in enough ensemble texture to showcase your section work.

What to expect

Elegant and playful in equal measure. The tune carries an understated sophistication that feels at home in any concert setting, with enough swagger in the rhythm section to keep things energetic without ever sounding forced or campy.

Who it's for

Jazz ensembles at the intermediate level looking for repertoire that balances accessibility with musical substance. This works equally well for groups performing their first holiday concert or ensembles seeking an alternative to typical seasonal fare.

How to get the most out of it

  • Balance the tenor sax melody against the rhythm section so the tune stays conversational rather than overpowering. The groove should feel relaxed and implicit, not driven.
  • Shape the trumpet and trombone solo sections with space and intentionality. These moments are brief, so ensure soloists have clear harmonic signposts and that the comping section locks in behind them.
  • Approach the swing feel with a gentle touch. Medium swing works best when the ensemble doesn't push the eighth-note subdivision; let it settle naturally.

How to use it

Slot this into your December concert as a palate cleanser between heavier works, or feature it as a closer that sends the audience out with genuine warmth. The arrangement works beautifully as either a standalone feature or part of a jazz-focused holiday set.

Skills your students will build

  • Medium swing eighth-note subdivision and rhythmic accuracy
  • Solo construction with clear harmonic awareness
  • Sectional balance and ensemble texture
  • Comping that supports rather than dominates
  • Phrasing and articulation in a jazz idiom

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