Santa Baby Sheet Music Preview

Santa Baby: Marimba Solo

As performed by Eartha Kitt / Arranged by Will Rapp

Item: 35-DS00506569

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00506569

More about this title

About the Artist: Eartha Kitt

Eartha Kitt was an American singer, actress, and dancer whose career spanned seven decades. Born in 1927, she became an international icon known for her distinctive contralto voice, sharp wit, and fearless artistry. Her 1953 recording of "Santa Baby" became a holiday standard, cementing her legacy as one of the most influential entertainers of the 20th century.

Kitt's vocal style combined jazz sophistication with theatrical flair, making her recordings instantly recognizable. She performed across stage, screen, and concert halls, consistently pushing artistic boundaries while maintaining meticulous control of her craft. For music educators, her work exemplifies how a singular voice and confident interpretation can define a song across generations.

Why we love this

Will Rapp's arrangement captures the playful, sultry spirit of the original while remaining accessible for mixed ensembles. The MARSOL voicing opens this holiday perennial to groups that might otherwise overlook it, and the two-page format keeps rehearsal time realistic during busy December schedules. Programming this lets your students claim ownership of a genuine standard rather than settling for watered-down holiday fare.

What to expect

Sophisticated and sly, with the warmth of a lounge rather than the reverence of a cathedral. The melody sparkles with wit while the harmony suggests understated elegance, creating a musical space where playfulness and polish coexist.

Who it's for

Mixed ensembles and jazz choirs looking for a confident, stylish holiday selection that works for both concert and lighter performance settings. This arrangement suits groups comfortable with jazz phrasing and ensemble swing but wanting a recognizable, audience-friendly piece.

How to get the most out of it

  • Shape the melody with the character of spoken sass rather than pure legit singing; Eartha's delivery was conversational and pointed, never precious
  • Balance the rhythm section tightly so the groove sits behind the vocal line without pushing it; this arrangement breathes best when accompaniment feels supportive rather than dominant
  • Mark your phrase endings clearly in rehearsal, since the original's phrasing often contradicts conventional song structure. The charm lives in unexpected breath placements

How to use it

Reserve this for a winter concert's second half, where the shift from traditional carols into something contemporary and urbane feels earned. Its familiarity with audiences makes it an excellent audience-engagement piece, and the arrangement's economy means you can finalize it late in the rehearsal season.

Skills your students will build

  • Singing jazz phrasing with rhythmic flexibility over steady accompaniment
  • Maintaining groove and swing feel across ensemble voices
  • Balancing clarity of lyrics with musicality in uptempo ensemble settings
  • Interpreting a standard arrangement with stylistic maturity

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