Santa Baby Cover Image

Santa Baby: Concert Band Conductor Score

$9.00 USD
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Santa Baby Cover Image

Santa Baby: Concert Band Conductor Score

Words and music by Joan Javits, Philip Springer, and Tony Springer / arr. Michael Story

Grade: 2 (Easy)

Item: 00-42187S

$9.00
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Description
Can you name another holiday treasure performed by Eartha Kitt, Madonna, Taylor Swift, Mae West, the Pussycat Dolls, Shakira, AND Miss Piggy? We don't think so. Invite your audience to sing along! A true gem with some introductory familiar swing to spice up the season for your developing band. (1:45)

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081471556
SKU: 00-42187S

More about this title

About the Composer: Joan Javits

Joan Javits co-wrote "Santa Baby" in 1953, creating one of the most recorded and performed holiday songs of all time. Her work with composers Philip and Tony Springer produced a standard that has crossed genres, decades, and demographics, proving the staying power of a genuinely clever melody and memorable lyrics.

Why we love this

Michael Story's arrangement captures the playful sass of this perennial holiday standard while keeping the instrumentation accessible for Grade 2 bands. The familiar swing feel gives your ensemble a chance to stretch beyond straight-ahead holiday marches, and the built-in singalong moment transforms a concert performance into genuine audience engagement.

What to expect

Sophisticated sass wrapped in an accessible package. The arrangement swings with a winking charm that honors the song's iconic performers while remaining playful rather than slick, creating a performance moment that feels both polished and fun.

Who it's for

Developing concert bands at the Grade 2 level who want to program something with immediate audience appeal and cross-generational recognition. Directors seeking a holiday selection that engages listeners and gives students experience with swing style in an accessible context.

How to get the most out of it

  • Keep the swing articulation light and bouncy in the opening sections; resist the urge to play it too heavily or it loses the song's wit.
  • Balance the melody line so the audience can follow the tune they know, especially during the singalong portion.
  • Use dynamic contrast between the introductory swing groove and any louder tutti sections to maintain the piece's comedic timing.

How to use it

Perfect as a mid-concert palate cleanser in a winter concert that otherwise features traditional holiday fare, or as your closing number if you want to send the audience out smiling. The singalong element makes it an ideal bridge between formal concert repertoire and community engagement.

Skills your students will build

  • Swing articulation and feel
  • Balanced melody playing within ensemble context
  • Dynamic shaping and contrast
  • Ensemble communication during audience participation sections

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