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Santa at the Symphony: Concert Band Conductor Score

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Santa at the Symphony Cover Image

Santa at the Symphony: Concert Band Conductor Score

Arr. Mark Williams

Grade: 2 (Medium Easy)

Item: 00-5134S

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Description
This highly imaginative work blends four familiar Christmas carols---'Jingle Bells,' 'The Twelve Days of Christmas' and 'Silent Night' with famous classic themes from Mozart's 'Eine Kleine Nachtmusick,' Tchaikovsky's 'Nutcracker Ballet' and '1812 Overture,'Beethoven's 'Fifth Symphony' and Brahms's 'First Symphony.' Your audience will love this arrangement and your students will have fun identifying which melodies they are playing---even Scrooge will get in the holiday spirit with this one! (Grade 2)

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 16
UPC: 038081096230
SKU: 00-5134S

More about this title

About the Arranger: Mark Williams

Mark Williams

Mark Williams built his career on understanding what works in the rehearsal room. A prolific composer and arranger with over 200 published works, he spent years teaching elementary band in Washington state, which gave him an intuitive grasp of what students could accomplish at each level. His expertise came not just from the page but from the podium: he worked as a clinician and guest conductor across 34 states, five Canadian provinces, and Australia, always refining his craft based on what he heard in real bands.

Williams earned recognition for his contributions to music education, including wins at the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. Beyond composing and arranging, he performed regularly on bassoon and served as conductor and artistic director for the Spokane British Brass Band. His dual focus on accessibility and musicality shaped works that teachers still program regularly, proving that writing for young musicians doesn't mean compromising on substance.

Why we love this

This arrangement captures something few pieces at Grade 2 manage: it's genuinely entertaining without feeling cheap. The layering of carols with classical masterworks gives your band real musical content to sink their teeth into while the familiar melodies keep things approachable. Your audience gets the satisfaction of recognizing "Jingle Bells" or the "Nutcracker" theme, but your students experience something richer than a simple medley.

What to expect

Clever and joyful. The arrangement has a wink built into it; listeners enjoy the moment of recognition when "Jingle Bells" collides with Beethoven or when Tchaikovsky's Nutcracker weaves through a carol. For your band, it's playful without being silly, with real musical architecture beneath the holiday warmth.

Who it's for

Concert bands working at Grade 2 who want a holiday program closer that's both accessible and musically substantive. This works equally well for elementary and early middle school bands, and it's the kind of piece that keeps audiences engaged without condescension.

How to get the most out of it

  • Balance the multiple melodic lines carefully during the sections where carols and classical themes appear together; the main melody should always project clearly, with secondary material supporting but never overwhelming it.
  • Use the contrasts between styles to shape your phrasing: the carols can feel warmer and more relaxed, while the classical themes benefit from a touch more precision and shape.
  • Encourage your rhythm section to lock in early since the piece weaves between different harmonic and rhythmic contexts; steady foundational support makes the thematic content sing.
  • Let your students anticipate the familiar moments and take ownership of the melodies they'll recognize; this builds confidence and engagement, especially valuable at this level.

How to use it

Save this for your winter concert finale or as a penultimate piece before a more formal closer. The familiarity and accessibility make it a perfect communal moment with your audience, and at 16 pages, it's substantial enough to command the stage without exhausting your ensemble before another major work.

Skills your students will build

  • Balancing multiple simultaneous melodic lines with clear priority hierarchy
  • Transitioning between different musical styles and harmonic contexts within a single piece
  • Recognizing and interpreting thematic material from classical and contemporary sources
  • Maintaining rhythmic precision while shifting between contrasting tempos and feels
  • Ensemble cohesion when learning a medley structure with distinct sections

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