Sanctus Sheet Music Preview

Sanctus: 3-Part Mixed Choral Octavo

Music by Sherri Porterfield

Item: 00-PO-0004614

Digital Download
$2.25

Minimum order quantity: 20 copies

Description
Sherri Porterfield follows her highly successful 'Kyrie' and 'Agnus Dei' with this lush, flowing choral work. Like all of Sherri's music, SANCTUS is easy to teach, yet musically rewarding for both you and your singers. Quite simply, it's an ourstanding concert/festival work for your choir. Also suitable for church choirs.

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Sample Video
Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0004614

More about this title

About the Composer: Sherri Porterfield

Sherri Porterfield

Sherri Porterfield directs choirs at Cedar Park Middle School in Cedar Park, Texas, and has taught in Missouri and Kansas, where her ensembles earned numerous first-place and sweepstakes awards at competitions and state conventions. She has served as an adjunct assistant professor of music education at the University of Missouri-Kansas City Conservatory of Music and worked as a clinician and guest conductor with honor choirs across the country.

With over 175 published choral compositions to her name, Porterfield has maintained an active presence in American music publishing through Alfred Music and other major publishers. Since 1997, she has received annual ASCAP awards for her compositions. A native of Poplar Bluff, Missouri, she holds a B.S.E. in music education from the University of Memphis and a Master of Music in choral conducting from the University of Missouri-Kansas City. She has been recognized four times in Who's Who Among America's Teachers and selected for inclusion in multiple national directories.

Why we love this

Porterfield has built a reputation for writing choral music that teaches cleanly yet sounds sophisticated, and this Sanctus demonstrates that gift in full. The flowing melodic writing and accessible voicing make it a natural fit for middle school and high school choirs preparing for contest season, while the musical substance keeps singers engaged and audiences impressed.

What to expect

The music flows with a luminous quality, layering the three voices into a tapestry that feels both accessible and refined. Porterfield's melodic writing sings naturally across the parts, creating moments of transparency and moments of collective warmth without demanding virtuosity from singers.

Who it's for

This octavo suits middle school and high school choirs working toward concert or festival performances, particularly those seeking repertoire that is manageable to teach yet substantial enough to earn recognition at competition. Church choirs looking for dignified, singable sacred music will find this equally valuable for worship settings.

How to get the most out of it

  • Balance the three parts carefully during rehearsals by isolating each voice line so singers hear their specific melodic responsibility within the harmonic texture.
  • Attend to vowel unification across all three parts in sustained passages; the lush quality Porterfield writes depends on consistent sound production.
  • Shape phrases expressively rather than mechanically; mark breath points that serve the text and music rather than dividing at every available rest.
  • Use the 12-page score to identify sectional landmarks where your choir can build intensity or pull back, giving the piece architectural shape for competition adjudicators.

How to use it

Program this as a centerpiece for a sacred music set, pairing it with contrasting pieces from Porterfield's Kyrie and Agnus Dei to create a cohesive liturgical work. Its lush character and modest technical demands also make it an excellent choice for regional contests where well-trained choirs compete at the intermediate level.

Skills your students will build

  • Blending and balancing three-part mixed voicing
  • Singing sustained, unified vowels across phrase lines
  • Reading and performing choral music at SAB level with musical maturity
  • Controlling dynamics and shaping phrases expressively in sacred literature

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