Sanctus: 3-Part (any combination of voices) Choral Octavo
By Dave and Jean Perry
Item: 00-PO-0000033
Minimum order quantity: 20 copies
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Description
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Why we love this
The 7/8 meter feels genuinely fresh without ever becoming awkward to conduct or sing. Perry's writing respects the vocal line while building real harmonic interest across just three parts, making this a piece that sounds far more sophisticated than its learning curve suggests.
What to expect
Reverent and contemplative, with an unexpected rhythmic sophistication that energizes the traditional Latin text. The 7/8 meter creates a subtle forward momentum that prevents the sacred text from feeling static, while the three-part writing maintains clarity and luminosity throughout.
Who it's for
Intermediate and advanced choirs seeking challenging yet accessible repertoire. This octavo works equally well for treble, bass, or mixed voices, so ensembles of any combination can perform it as written without revoicing.
How to get the most out of it
- Lock the pulse early by conducting or tapping the 7/8 pattern during the first read-through. Once singers internalize the 7-beat measure, the meter becomes intuitive rather than tricky.
- Use the recorded accompaniment to establish the rhythmic pocket. Let singers hear the 7/8 feel embedded in the harmonic context before attempting unaccompanied passages.
- Balance the three parts so no single voice dominates the blend. With only three lines carrying the full harmonic weight, each part's tuning and tone color directly affect the overall sound.
How to use it
Program this as a concert feature that showcases your choir's ability to handle contemporary meters with musicality. It also serves contest repertoire exceptionally well, since judges value technical facility paired with musical maturity, which this piece delivers in equal measure.
Skills your students will build
- Reading and performing in 7/8 time
- Mixed meter awareness and ensemble synchronization
- Three-part voice leading and harmonic balance
- Latin text pronunciation and diction in a contemporary context