Samson and Delilah, Op. 47 (Samson et Dalila): Danse Bacchanale Cover Image

Samson and Delilah, Op. 47 (Samson et Dalila): Danse Bacchanale: Full Orchestra, Full Score

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Samson and Delilah, Op. 47 (Samson et Dalila): Danse Bacchanale Cover Image

Samson and Delilah, Op. 47 (Samson et Dalila): Danse Bacchanale: Full Orchestra, Full Score

By Camille Saint-Saëns, ed. Clinton Nieweg/ ed. Nancy Bradburd

Item: 36-A198201

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Description
Camille Saint-Saëns' (1835-1921) opera SAMSON ET DALILA, Op. 47 tells the biblical story of Delilah's betrayal of Samson. Originally conceived as an oratorio due to Saint-Saëns' admiration of such works by Handel and Mendelssohn, it was converted to an opera when the composer was convinced by a family member to abandon the less-used oratorio, designed to stage works with biblical themes, in favor of the more common and contemporary secular form. While composition began in 1867, consistent rejection by the French music world of any biblical stories used as a libretto caused numerous delays and spurts of abandonment of the project by the Saint-Saëns. And when the work was completed in 1876, the 1877 premiere in Weimar was only able to take place due to the support of Franz Liszt. Further interest around the world, including France, finally started to grow in the 1890s, leaving SAMSON AND DELILAH Saint-Saëns most performed opera today. The "Danse Bacchanale," which takes place in Scene 2 of the third act, plays after Samson has been betrayed by Delilah and apprehended by his enemies, the Philistines. The Philistines plan a sacrifice to their god Dagon, and the temple priests dance wildly to this savage "Bacchanale" as preparation. This version has been newly engraved and edited by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.2+2Crt.3.1: Timp.Perc(3or4): Hp: Str (9-8-7-6-5 in set).

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887185-X
ISBN13: 978-1-63-887185-9
UPC: 746241258854
SKU: 36-A198201
Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.2+2Crt.3.1: Timp.Perc(3or4): Hp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Camille Saint-Saëns

Camille Saint-Saëns (1835-1921) was a French composer whose technical mastery and prolific output shaped orchestral and operatic repertoire across the Romantic era. A virtuoso organist and pianist trained at the Paris Conservatoire, Saint-Saëns composed across every major genre: five operas, three symphonies, concertos for piano and violin, chamber works, and sacred music that earned him international acclaim during his lifetime.

Saint-Saëns championed ambitious subject matter in French opera when conservative tastes favored lighter fare. His determination to expand operatic boundaries through works like Samson et Dalila reflects a composer unafraid to pursue artistic conviction against institutional resistance. His influence on orchestration and harmonic language continues to shape how conductors and composers approach large ensemble writing.

Why we love this

This is the orchestral showpiece that makes Samson et Dalila indispensable to concert programming. The Bacchanale delivers relentless rhythmic drive, exotic coloration, and virtuosic string writing that audiences recognize instantly, even outside opera house contexts. It works equally well as a concert staple or inserted into a full opera performance, and this newly engraved edition from Nieweg and Bradburd restores clarity to Saint-Saëns' orchestral details.

What to expect

Frenetic energy builds through obsessive rhythmic patterns and exotic harmonic coloring as priests prepare a pagan sacrifice. The orchestration shimmers with harp, glittering upper strings, and woodwind filigree layered against a relentless pulse that never allows the listener to settle. This is dance as ritual fury, propulsive and hypnotic.

Who it's for

Orchestras and conductors seeking an accessible yet technically engaging Romantic-era showpiece that commands audience attention without requiring a vocalist or staged drama. Upper-level university orchestras, community ensembles with strong woodwind and string sections, and conductors building concert programs around French operatic repertoire will find this both rewarding and attainable.

How to get the most out of it

  • Establish the rhythmic foundation early by locking the timpani and bass line to a steady pulse; the momentum depends on absolute rhythmic commitment from the entire orchestra.
  • Balance the harp part carefully so it articulates without overwhelming the upper woodwinds during the syncopated sections that define the dance character.
  • Shape the string parts with flexible phrasing that follows the harmonic rhythm rather than beating time mechanically; Saint-Saëns wrote singable lines even in the fastest passages.
  • Prepare your percussion section for rapid entrances and exits, particularly the tam-tam and cymbals, which punctuate key harmonic shifts and demand split-second ensemble awareness.

How to use it

Program this as a concert finale or centerpiece when you want something instantly recognizable that showcases orchestral color and rhythmic precision without the length of a full symphony. Pair it with other Romantic opera excerpts, or lead into it with a contrasting slow movement to emphasize the dramatic weight of this scene's orchestral savagery.

Skills your students will build

  • Sustaining rhythmic precision across extended passages with complex syncopation
  • Balancing multiple simultaneous rhythmic layers in the string and woodwind sections
  • Executing rapid dynamic shifts and color changes through articulation and orchestral response
  • Reading and realizing the conductor's gesture while maintaining ensemble cohesion at varying tempi
  • Interpreting Saint-Saëns' detailed articulation and dynamic markings to shape phrasing across sustained lines

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