Salute to the Sultan Cover Image

Salute to the Sultan: Concert Band Conductor Score & Parts

$70.00 USD
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Salute to the Sultan Cover Image

Salute to the Sultan: Concert Band Conductor Score & Parts

By Karl King / arr. Gene Milford

Grade: 3

Item: 36-50100120

$70.00
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Description
Composed and published when King was only 21 years of age (under the pseudonym Carl Lawrence), Salute to the Sultan shows the composer in adventuresome mode. Off the beat cymbals and grace notes create unusual moods and make this one of the most freshly original of King's marches.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-62156-598-X
ISBN13: 978-1-62156-598-7
UPC: 679360779026
SKU: 36-50100120
Instrumentation: Concert Band

More about this title

About the Composer: Karl King

Karl King (1891-1971) was a prolific American composer and bandmaster whose output of over 300 marches and concert band works made him one of the most performed composers in the wind band repertoire. He spent much of his career as a touring conductor and composer for the Barnum & Bailey Circus Band, creating music that balanced accessibility with genuine compositional ambition.

Why we love this

Most Grade 3 marches follow a predictable formula, but King's use of syncopated cymbals and carefully placed grace notes gives this piece genuine character and charm. Directors appreciate that it challenges students to listen beyond the straight-ahead march beat without requiring virtuosic technique.

What to expect

Adventurous and playful, with an almost vaudeville-like charm. The unexpected rhythmic gestures create a sense of spontaneity that keeps the piece from feeling dated, even though it was composed over a century ago.

Who it's for

This Grade 3 march works well for developing concert bands and young high school groups who are ready for something beyond rote march repertoire. It rewards bands that can execute rhythmic independence and listen to the orchestration without overwhelming them technically.

How to get the most out of it

  • Bring out the off-beat cymbal crashes; they're the signature element of this march and need clarity to land properly with the audience.
  • Shape the grace notes as intentional musical gestures, not mere ornaments. They drive the personality of the piece.
  • Keep the tempo steady and flowing. The syncopated elements work best when the underlying pulse feels secure and grounded.

How to use it

Program this as a confident centerpiece for a spring or fall concert when you want something substantial but accessible. It pairs well with a lyrical ballad and gives your audience a genuine smile without sacrificing musicality.

Skills your students will build

  • Playing syncopated rhythms with precision and independence from other parts
  • Executing grace notes as controlled musical statements
  • Listening to and balancing vertical sonorities in march form
  • Maintaining steady pulse while navigating rhythmic complexity

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