Salute to Broadway: Full Orchestra Conductor Score & Parts

Strommen's arrangement respects the melodic charm of these standards while keeping the orchestration accessible for Grade 4 ensembles. Community orchestras especially benefit from medleys like this one, they deliver familiar, audience-pleasing material without requiring soloists or specialized vocal talent, and the five-movement structure gives your program shape and momentum.

A joyful sprint through the Great American Songbook, each standard arriving with its own personality before the medley sweeps into the next. The orchestration honors the elegance and humor of these classics while keeping the energy buoyant and the sentiment genuine, never cloying.

Community orchestras seeking Broadway repertoire that audiences will love without requiring professional pit orchestra resources. Orchestras at the intermediate to advanced amateur level will find the Grade 4 scoring manageable and rewarding to prepare.

• Balance the melody across your first violin and first clarinet sections; these tunes live in the foreground, so keep accompanying voices proportionally softer.
• Take the tempo changes between movements as clean transitions rather than abrupt shifts; a breath or brief pause helps audiences reset their ears for each new tune.
• Let the woodwinds shine during "Ain't Misbehavin'", Strommen's writing for this section has a natural lilt that comes through only if you don't over-conduct the rhythm.

Position this as your finale on a spring concert or community pops night, especially when your program leans into classical repertoire earlier. The medley format lets you tell a narrative arc across seven minutes, from the optimistic energy of "Give My Regards to Broadway" through the romantic glow of "My Funny Valentine." It's the kind of piece that sends people home humming.

• Transitioning smoothly between musical sections at varying tempos
• Balancing multiple melodic lines as the lead passes between sections
• Maintaining ensemble cohesion during fast-moving harmonic changes
• Shaping phrasing and articulation to reflect Broadway song traditions