Salutation Cover Image

Salutation: Concert Band Conductor Score

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Salutation Cover Image

Salutation: Concert Band Conductor Score

Arranged for Concert Band

By Eriks Ešenvalds / arr. Phillip Littlemore

Item: 98-EP68712

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Description
Salutation was composed for a cappella choir to a poem by Bengali poet and musician Rabindranath Tagore (1861--1941). The music takes up the spiritual message of the poem, that we live our lives in one salutation to God ending back in an eternal home. Phillip Littlemore's brilliant arrangement for concert band adds a work of great contemplative beauty to the repertoire. (3:15) Original item: EP68712-CMPST

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Salutation: Concert Band Conductor Score comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-30-076172-4
ISBN13: 979-0-3007-6172-5
SKU: 98-EP68712
Instrumentation: Concert Band

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose work draws deeply from spiritual and contemplative themes. His choral compositions, many set to poetry by Rabindranath Tagore and other world literature, have become central to contemporary concert music repertoire. His writing consistently balances accessibility with artistic depth, making his work equally compelling for professional ensembles and student musicians.

Ešenvalds has emerged as one of the most performed living composers in choral music, with his pieces appearing on major concert stages and festivals worldwide. His gift for creating luminous harmonic textures and emotionally resonant melodies has earned him commissions from prestigious institutions and recognition as a major voice in 21st-century classical music.

Why we love this

Phillip Littlemore's arrangement transforms Ešenvalds' spiritual choral vision into an accessible yet profoundly moving work for concert band. Grade 2½ bands can engage with genuinely sophisticated harmony and texture without drowning in technical difficulty. The contemplative pacing and transparent orchestration reward careful attention to balance and phrasing, giving your ensemble something meaningful to rehearse and audiences something memorable to hear.

What to expect

Salutation unfolds with the quiet dignity of a prayer or meditation. The harmonic language is warmth and light, shifting gradually like clouds moving across a clear sky. There is no urgency here, only a gentle insistence on beauty and the promise of spiritual homecoming that the text describes.

Who it's for

Concert bands at Grade 2½ level looking for substantive, spiritually grounded repertoire that develops ensemble musicianship without excessive technical demands. Directors seeking pieces that engage both players and audiences on an emotional and intellectual level will find this an enriching addition to the concert season.

How to get the most out of it

  • Emphasize the sustained harmonic layers that give the piece its meditative quality; excessive vibrato or aggressive tone will undermine the spiritual stillness at the heart of the work.
  • Shape long phrases with subtle dynamic contours rather than sudden swells; this arrangement thrives on restraint and gradual transformation.
  • Balance the woodwind chorale sections carefully so that inner voices emerge without overblowing their parts; clear articulation serves the contemplative mood better than legato blur.
  • Allow space and silence to breathe between sections; resist the urge to fill every moment with sound, as the poem's message about eternal home resonates through what you don't play as much as what you do.

How to use it

This piece creates a powerful moment as a centerpiece or closing selection on a concert that otherwise features more energetic or virtuosic works. Its contemplative nature makes it ideal for a concert centered on spirituality, poetry, or contemporary classical music. The manageable length and Grade 2½ difficulty also make it an accessible encore that will leave audiences with something transcendent to take with them.

Skills your students will build

  • Sustaining long phrases with shape and intention rather than straight volume
  • Balancing inner harmonic voices against outer lines
  • Responding to subtle dynamic and articulation changes that serve emotional content
  • Reading and interpreting contemporary concert band scoring with transparency and restraint

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