Sally Goodin Cover Image

Sally Goodin: String Orchestra Conductor Score

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Sally Goodin Cover Image

Sally Goodin: String Orchestra Conductor Score

Traditional / arr. Todd Parrish

Grade: 2

Item: 00-44855S

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Description
As far as authentic American fiddle tunes go, it doesn't get much better than "Sally Goodin." This arrangement by Todd Parrish takes the listener through many standard variations in both major and minor keys. All sections get a turn at the melody, while the bass maintains a traditional pizzicato bluegrass bass line. (2:45) This title is available in MakeMusic Cloud.

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Additional Details
Series: Highland/Etling String Alternatives
Publisher: Alfred Music
Page Count: 12
UPC: 038081518633
SKU: 00-44855S

More about this title

About the Arranger: Todd Parrish

Todd Parrish

Todd Parrish brings two decades of public school orchestral experience across Illinois, Virginia, and Florida to his work as an arranger and conductor. He holds a Bachelor of Music Education from ORU in Tulsa, where he studied violin and piano, and earned his Master of Music in Orchestral Conducting from the University of Arizona under Jindong Cai. His training also includes string quartet work with cellist Nancy Green, violin study with Bonnie Terry, and conducting intensives at festivals in Colorado, South Carolina, Maine, and Aix-en-Provence.

Parrish serves as orchestra editor for Carl Fischer Music and has held editorial positions with J.W. Pepper and Wingert-Jones Publications. His published catalog spans over forty works across Alfred Music Publishing, Wingert-Jones, and Carl Fischer, combining classical arrangements for school orchestras with original compositions. He regularly guest conducts and lives in Orlando, Florida.

Why we love this

Parrish's treatment respects the tune's authentic fiddle DNA while making it immediately accessible to young string orchestras. The key variations keep the arrangement fresh across multiple playings, and the transparent texture ensures every section gets genuine musical responsibility rather than filler parts.

What to expect

"Sally Goodin" swings with the relaxed confidence of a well-worn fiddle tune. The journey through major and minor territories feels like variations on a familiar story, with each section's turn at the melody creating a sense of collective storytelling that young players find both engaging and musically grounded.

Who it's for

Grade 2 string orchestras seeking authentic American repertoire that builds musicianship alongside cultural awareness. This works equally well for ensembles new to folk idioms and those already comfortable with traditional material.

How to get the most out of it

  • Maintain a steady, relaxed pizzicato pulse in the bass line; the traditional bluegrass feel depends on rhythmic consistency underneath the melody changes.
  • Work phrase shape with each section as they take the tune. The melody ownership shifts create natural opportunities to discuss musical storytelling across the orchestra.
  • Balance the major and minor key variations so they register as distinct colors. Minor passages should feel slightly more introspective without losing the tune's dance-like energy.
  • Keep the tempo stable through key modulations. A clear downbeat from your left hand helps the ensemble navigate transitions between variations.

How to use it

Pair this with other American folk material for a concert celebrating traditional music, or use it as a bridge piece between classical and contemporary repertoire. The manageable length and accessible grade level make it ideal for spring concerts or chamber ensemble showcases.

Skills your students will build

  • Stylistic playing in folk idiom (pizzicato technique, rhythmic swing)
  • Key signature reading (major and minor variations)
  • Ensemble balance when melody ownership shifts between sections
  • Phrase shaping and musical storytelling across an orchestral texture

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