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Safe in the Arms of Jesus: Brass Quintet Score & Parts

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Safe in the Arms of Jesus Cover Image

Safe in the Arms of Jesus: Brass Quintet Score & Parts

By William Howard Doane

Level: Medium

Item: 81-BQ28302

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Description
This beautiful hymn has been arranged to co ordinate with a hymn book. All three verses are scored differently with a trumpet descant introduced in the final verse. Ideal with voices or as a piece for quintet alone.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-324-3
ISBN13: 978-1-55473-324-8
UPC: 685462013258
SKU: 81-BQ28302
Instrumentation: Brass Quintet

More about this title

About the Composer: William Howard Doane

William Howard Doane (1832-1915) was a prolific American composer and hymn writer who shaped Protestant church music during the late 19th century. His gift for memorable melodies and accessible harmonic language made his hymns standards in worship spaces across denominational lines, and his arrangements demonstrate a deep understanding of both vocal and instrumental idioms.

Doane's work bridges the gap between sacred congregational music and concert-style arrangements. He understood how to preserve the integrity of a hymn's message while creating fresh musical settings that engage both amateur and skilled musicians.

Why we love this

The three distinct scorings across the verses keep the arrangement dynamic without becoming complex, and the trumpet descant in the final verse provides an elegant moment of lift that feels earned rather than imposed. This works as a standalone quintet piece or as a bridge between hymnal singing and instrumental performance, making it genuinely versatile for concert or worship settings.

What to expect

Warm and reassuring, with the gentle harmonic language of a beloved hymn but arranged with the sophistication that comes from brass writing. The changing voicings across verses create subtle emotional shifts, building toward the brightness of the final statement.

Who it's for

Brass quintets looking for repertoire that sits comfortably at medium difficulty without sacrificing musicality or meaning. This also serves directors who want to program sacred music in concert settings or who need a piece flexible enough to work with or without singers.

How to get the most out of it

  • Balance the harmonic voices during the opening verses so the melody reads clearly without one voice dominating the texture. This often means the French horn sits slightly back from the trumpets.
  • When the trumpet descant enters in the final verse, give it room to sing without asking it to cut through aggressively. The other voices should support rather than compete.
  • Allow the hymn's natural phrasing to dictate your breath and ensemble punctuation rather than forcing metronomic precision. These melodies breathe.

How to use it

Consider this for a church service concert, a spring program mixing sacred traditions with chamber music, or a closer to a set of varied ensemble pieces. The familiar hymn melody anchors the program while the arrangement shows what your brass section can do with textural nuance.

Skills your students will build

  • Balancing melodic and harmonic roles within an ensemble
  • Interpreting hymn-based music with sensitivity to phrasing and breath
  • Managing dynamic contrast across multiple statements of the same material
  • Blend and intonation in sustained harmonic progressions

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