Sacred Trios C Bass Cover Image

Sacred Trios C Bass: Book

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Sacred Trios C Bass Cover Image

Sacred Trios C Bass: Book

By Andrew Balent

Grade: 2

Item: 36-50310002

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Description
A collection of 12 well-known hymn tunes, this compilation of like trios can also be played in any combination of three instruments as long as the players have the correct book. Simply assign or select a part then make beautiful music! The first part, when played on violin, will have some range concerns that make the part slightly more difficult than the grade 2 rating. Titles included: A Mighty Fortress; Come Thou Almighty King; Faith of Our Fathers; Praise God from Whom/ All Blessings Flow (Old Hundredth); Praise to the Lord the Almighty; My Faith Looks Up to Thee; Abide With Me; We Gather Together; Amazing Grace; For the Beauty of the Earth; This Is My Father's World; Come, Thou Fount.

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Additional Details
Series: LudwigMasters Chamber Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296753-0
ISBN13: 978-1-68-296753-9
UPC: 660355121791
SKU: 36-50310002
Instrumentation: Any combo of C, Bb, Eb or F instruments

More about this title

Why we love this

Balent's arrangements respect the integrity of these beloved hymns while removing barriers to mixed-instrument performance. The flexibility to assign parts based on who shows up to rehearsal (violin, clarinet, trumpet, French horn, or any transposing combination) means you're never stuck waiting for the right instrumentation. Grade 2 accessibility combined with genuine harmonic substance makes these trios work equally well in a church setting, school concert, or chamber rehearsal.

What to expect

Familiar and grounded. These hymn tunes carry their own emotional weight from generations of singing, and Balent's straightforward trio writing allows that character to emerge without unnecessary complexity. The arrangements feel reverent without being heavy, accessible without losing depth.

Who it's for

Intermediate ensemble directors seeking flexible chamber music that doesn't require predetermined instrumentation, mixed-level community ensembles where attendance varies week to week, and music programs serving students who play different instruments but want to perform together. Church musicians and music directors will find these especially valuable for adding instrumental color to congregational hymn singing.

How to get the most out of it

  • Assign parts strategically around range considerations; if you're using violin on the first part, consider whether your player has solid upper register comfort before finalizing the trio combination.
  • Balance the inner parts with the melody so hymn tunes maintain their singable quality, especially important since many students will recognize these by ear.
  • Work intonation carefully in the sustained passages common to hymn arrangements; slight tuning issues become noticeable when harmonic rhythm is steady.
  • Experiment with different instrument pairings during rehearsal to discover which combinations produce the warmest blend for each tune.

How to use it

Open a concert with a sacred trio as a meditative opener before shifting to other repertoire, or use one as a graceful closer. These work beautifully in interfaith or all-school assembly contexts where familiar hymn melodies create immediate connection with your audience. In a sectional rehearsal, assign a trio as a bonus activity that requires musicians to hear each other across different instrument families.

Skills your students will build

  • Reading transposed parts (C, Bb, Eb, and F instruments simultaneously)
  • Playing sustained harmonies with attention to intonation and blend
  • Ensemble listening and balance within a three-part texture
  • Recognizing and performing standard hymn tune structures
  • Flexible part assignment based on available instrumentation

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