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Sacred Silhouettes Revisited: Piano Book

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Sacred Silhouettes Revisited Cover Image

Sacred Silhouettes Revisited: Piano Book

Musically Rewarding Arrangements of Well-Known Sacred Pieces Perfect for Students Who Are Looking for Music to Play During Church Services

Arranged by Dennis Alexander

Level: Early Intermediate to Late Intermediate

Item: 00-11752

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Description
Dennis Alexander presents nine musically rewarding arrangements of well-known sacred pieces. Titles: Abide with Me * God Will Take Care of You * In the Garden * Just As I Am * A Mighty Fortress Is Our God * The Old Rugged Cross * Savior, Like a Shepherd Lead Us A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sacred Silhouettes Revisited: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-1418-8
ISBN13: 978-0-7390-1418-9
UPC: 038081117799
SKU: 00-11752

More about this title

About the Arranger: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped generations of piano students through his prolific output of educational compositions and arrangements. Since 1986, he has published over 400 works through Alfred Music Publishing, establishing himself as a leading voice in accessible yet musically substantive piano repertoire. His teaching career spanned decades at the University of Montana, where he chaired the piano department and taught applied piano, class piano, and pedagogy, before moving to California to teach at Cal State Fullerton and Cal State Northridge.

Beyond the studio and classroom, Alexander has maintained an active concert life as soloist, accompanist, and chamber musician, performing across North America and internationally in Singapore, Hong Kong, Malaysia, Indonesia, and South Korea. He has served as collaborative artist for recognized soloists and chamber ensembles, was a former president of the Montana State Music Teachers Association, and has been invited to conduct master classes and judge competitions at the national level. Alexander currently resides in Albuquerque, New Mexico, where he continues composing and touring.

Why we love this

Alexander's gift for hymn arrangement lies in his ability to preserve the dignity and familiarity of these beloved melodies while giving pianists something genuinely interesting to play. These nine pieces strike that rare balance between honoring the source material and crafting engaging piano writing that early intermediate to late intermediate students will enjoy learning and performing.

What to expect

Reverent yet accessible, these arrangements invite pianists into the emotional world of familiar hymns with sophisticated but uncluttered musical language. The writing respects both the spiritual character of the melodies and the player's growing technical vocabulary, creating performances that feel substantial rather than simply devotional.

Who it's for

Early intermediate to late intermediate pianists who want to explore sacred literature without complex technical demands. These arrangements work well for students preparing recital material, church musicians building their solo repertoire, or those seeking rewarding performance opportunities that connect to meaningful texts.

How to get the most out of it

  • Honor the simplicity of the hymn melodies by keeping the line clear and singing, even when supporting harmonic layers provide color beneath
  • Balance the relationship between melody and accompaniment carefully; these arrangements work best when neither drowns out the other
  • Pay attention to the registered dynamic shapes within each piece; Alexander's scoring often creates natural waves of intensity that reward thoughtful shaping

How to use it

This collection fits naturally into spring recitals, church services, and sacred music festivals where intermediate students want representation. The variety of nine titles means you can program single pieces across multiple recitals, or present two to three as a thematic group within a longer program.

Skills your students will build

  • Balancing melody and accompaniment in a single staff
  • Interpreting harmonic color through registration and touch
  • Sustaining longer phrases with appropriate rubato and breathing
  • Working with familiar melodies to develop interpretive independence

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