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Sacred Duets for All: Piano, Oboe Book

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Sacred Duets for All Cover Image

Sacred Duets for All: Piano, Oboe Book

From the Renaissance to the Romantic Periods

Arr. William Ryden

Item: 00-EL9780

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Description
This duet collection of 19 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Titles: Ave Verum Corpus (Mozart) * Battle Hymn of the Republic (Dunbar/Howe) * Cantate Domino (Pitoni) * Come Away to the Skies (American Folk Tale) * Eternal Father Strong to Save (Dykes) * God Created Heaven and Earth (Traditional Taiwanese Melody) * Joshua Fought the Battle of Jericho (African-American Spiritual) * My Lord What a Morning (African-American Spiritual) * O Sons & Daughters, Let Us Sing (Traditional French Melody) * Praise Ye the Father (Gounod) * Rock of Ages (Traditional Jewish Melody) * Shalom (Traditional Jewish Melody) * Sinners Turn: Why Will You Die (Welsh Hymn) * Three Canons (Alleluia, Shalom, Gracious Lord) * Three Sacred Chorales (Bach) * Vater Unser im Himmelreich (Praetorius) * Walking in the Garden (Finnish Folk Song) * When I Survey the Wondrous Cross (Mason) * When I Think Upon Thy Goodness (Haydn).

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-1735-4
ISBN13: 978-0-7692-1735-2
UPC: 029156800227
SKU: 00-EL9780
Instrumentation: Piano, Oboe

More about this title

Why we love this

Ryden has built a collection that genuinely respects both the oboe and the obbligato role, pairing 19 sacred pieces across four centuries with piano accompaniment that never swallows the woodwind line. The mix of canonical hymns, spirituals, traditional melodies, and art songs means you're not locked into one cultural or historical lens when teaching oboe repertoire. Directors love this because it's flexible enough to work as a concert closer, a chamber music teaching tool, or a way to help oboists develop musicianship in a less-soloed context.

What to expect

Sacred, contemplative, and grounded. The oboe weaves through hymn melodies and spirituals with the kind of warm, introspective tone that makes these pieces feel lived-in rather than performed. Even the more exuberant pieces (Battle Hymn of the Republic, Joshua Fought the Battle of Jericho) retain a reverent quality that lets the instrument breathe rather than shine.

Who it's for

Oboe students in middle school through early high school who are ready to play beyond etude books but need repertoire that sits comfortably in a secondary role. Studio teachers and band directors can use these duets to develop collaborative playing and teach oboe literature without the pressure of constant solo spotlight.

How to get the most out of it

  • Balance your sound with the piano by listening to the weight of the accompaniment in rehearsal; the oboe should sit comfortably above it without forcing volume.
  • Shape phrases through breath placement rather than sudden dynamic jumps; many of these pieces benefit from the sustained, singing quality oboe does best.
  • Pay close attention to articulation at the start of the collection and ask your accompanist whether staccato or legato tonguing serves the character of each piece, since the repertoire spans multiple periods.
  • When learning a new piece, map out where the oboe leads and where it plays in support; this changes your approach to tone color and presence.

How to use it

Include one or two selections on a spring or holiday concert to provide variety without needing an accompanist to step into the spotlight. These duets also work well as teaching demonstrations in ensemble rehearsal, showing wind players how a secondary melody can enhance rather than compete with larger musical ideas. The 24-page format makes it approachable for assigning one piece per week as a duet study.

Skills your students will build

  • Playing musically in a support role rather than as soloist
  • Phrase shaping across sustained melodic lines
  • Stylistic awareness across Renaissance, Baroque, hymn, and Romantic repertoire
  • Listening and balancing with keyboard accompaniment
  • Reading and interpreting text expression in sacred contexts

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