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Sabrejet: Concert Band Conductor Score & Parts

$80.00 USD
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Sabrejet: Concert Band Conductor Score & Parts

By Sammy Nestico

Item: 36-50100005

$80.00
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Description
When Sammy Nestico was with the United States Air Force Band, he was asked by the Chief of Bands and Music, Colonel George S. Howard, to write a work descriptive of the Air Force's newest plane, the F-86 Sabrejet. This jazzy, up-tempo selection captures the plane's speed and power and portrays its vivid diving maneuvers - and swings like only Sammy Nestico can.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: LudwigMasters
UPC: 605258778505
SKU: 36-50100005
Instrumentation: Concert Band

More about this title

About the Composer: Sammy Nestico

Sammy Nestico spent decades as a composer and arranger for the United States Air Force Band, where he created music that balanced sophisticated harmonic language with accessibility and showmanship. His prolific output across military, commercial, and educational contexts made him one of the most performed composers in American concert music, with a gift for writing melodies that stick and rhythms that swing.

Nestico's arranging sensibility shaped how generations of band directors approach the jazz idiom in concert settings. He understood exactly how to voice a band for maximum impact, how to build excitement through orchestration, and how to write parts that challenge without overwhelming musicians at various skill levels.

Why we love this

Sabrejet captures something genuinely difficult to pull off in concert band writing: real swing feel without veering into comedy or oversimplification. The piece swaggers. Nestico's orchestration keeps the energy propulsive while giving enough musical substance that your band won't feel like they're just playing loud. The descriptive program (diving maneuvers, speed, power) gives students something concrete to latch onto musically, which shapes how they'll phrase and articulate.

What to expect

The music captures jet engine propulsion and the snap of aeronautical maneuvers. Bright, driving, shot through with brass shimmer and dancing woodwind counterlines, Sabrejet maintains a high-altitude energy throughout without ever feeling thin or undercooked. It's the sound of controlled power in motion.

Who it's for

Bands ready to program something genuinely exciting that isn't novelty music. This works for groups that have a strong sense of rhythmic precision and aren't afraid of articulation clarity. Whether your ensemble is advanced or upper-intermediate, Sabrejet rewards the work you put into swing feel and section balance.

How to get the most out of it

  • Nail the articulation patterns in the brass chorale sections. This is where the swinging character lives; too heavy and you lose elegance, too light and the power dissolves. Listen to the section balance the attack with the note's natural decay.
  • Lock the tempo with the rhythm section from day one. The piece's forward momentum depends on the percussion and low reeds staying unified in the groove; any wavering in that foundation broadcasts as uncertainty in everything else.
  • Shape the melody lines with jazz phrasing sensibilities rather than classical evenness. Bring the swing eighth notes forward slightly and let the brass punch hits with just enough space before moving to the next phrase.
  • Highlight the sectional doublings that Nestico wrote. When saxophones lock in with trumpet lines or when the full reed section supports brass voicings, those moments should feel unified and weighty. The orchestration is the point.

How to use it

Perfect as a closer on a concert where you want to send the audience out on a high note. The piece also works beautifully as a showcase for your section leaders if you're looking to highlight individual musicianship within a group context. Consider pairing it with a ballad or slower selection earlier in the program so the contrast sharpens the impact.

Skills your students will build

  • Swing articulation and the feel of jazz eighth notes
  • Reading and executing syncopated rhythmic figures accurately
  • Ensemble balance in scored horn sections with multiple doublings
  • Dynamic control and phrasing in fast-moving melodic lines
  • Rhythmic precision as a section player within a groove-based structure

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