Rustles of Spring (Set of Parts) Cover Image

Rustles of Spring (Set of Parts): Chamber Quintet Parts

$225.00 USD
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Rustles of Spring (Set of Parts) Cover Image

Rustles of Spring (Set of Parts): Chamber Quintet Parts

for Flute, Alto Saxophone, Violin, VIoloncello and Piano

By William Albright

Item: 98-EP67687A

$225.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 164
ISBN10: 0-30-074363-7
ISBN13: 979-0-3007-4363-9
SKU: 98-EP67687A

More about this title

About the Composer: William Albright

William Albright (1944-2010) was an American composer, organist, and pianist whose work spanned classical, jazz, and experimental idioms. Educated at the University of Michigan and abroad in Europe, he brought a modernist sensibility to both instrumental and vocal music while maintaining deep roots in American musical traditions. His compositional voice ranged from chamber works to large orchestral pieces, often exploring the intersection of contemporary techniques with lyrical, accessible melodies.

Why we love this

Albright's chamber writing balances technical interest with genuine musical substance. The quintet texture gives each player a genuine voice rather than padding, and the piece rewards careful ensemble listening without demanding prohibitive difficulty from any section.

What to expect

The piece unfolds with an introspective, contemplative character that occasionally brightens into moments of gentle wit. There's a clarity to Albright's harmonic language that makes the contemporary idiom feel organic rather than austere, inviting listeners into an intimate musical conversation.

Who it's for

Chamber ensembles seeking 20th-century American repertoire that combines accessible musicianship with compositional substance. This work suits advanced high school quintets and professional chamber groups looking to expand beyond standard classical fare.

How to get the most out of it

  • Balance the flute against the denser lower textures; the melodic line should sing through without the player forcing volume or tone quality.
  • Coordinate articulation across the quintet in passages marked with similar figures; uniform tonguing styles bind the ensemble together.
  • Shape phrases with attention to harmonic rhythm rather than bar lines; Albright's phrasing often spans across measure breaks.

How to use it

Program this alongside other American chamber works from the 1970s-1980s to create a focused concert half exploring modernism in chamber contexts. It also pairs well with shorter 20th-century European pieces for ensembles seeking varied national perspectives within a single concert theme.

Skills your students will build

  • Balancing independent melodic lines within ensemble texture
  • Shaping phrases across asymmetrical harmonic structures
  • Coordinating articulation and dynamics across five different timbres
  • Reading contemporary notational practices and harmonic language

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