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Russian Operatic Arias for Tenor and Piano: Voice & Piano Album

$39.95 USD
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Russian Operatic Arias for Tenor and Piano Cover Image

Russian Operatic Arias for Tenor and Piano: Voice & Piano Album

19/20th Cent. Repertoire with Translations & Guidance on Pronunciation (Rus/Eng)

Edited by David Fanning

Item: 98-EP7582

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Description
This landmark series opens up exciting vistasof challenging and rewarding repertoire for the discerning and adventurous singer. As with the Peters companion volumes of French Operatic Arias, this Russian series presents many of the justly celebrated arias, but alsojuxtaposes them with other less familiar gems, which undoutedly deserve wider recognition. Much of the selected repertoire is eminently suitable for audition purposes, so that each volume is a treasure trove for professional singers and students.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 148
ISBN10: 0-57-708405-4
ISBN13: 979-0-5770-8405-3
SKU: 98-EP7582

More about this title

Why we love this

Edition Peters has curated a collection that balances the iconic with the overlooked, giving tenors access to arias that command the concert stage without forcing them into the same few war horses. The inclusion of lesser-known gems alongside celebrated standards means you're building a recital program that feels both substantial and distinctive. For audition preparation, this volume offers professional-grade repertoire with the editorial standards Peters is known for.

What to expect

Russian opera arias pulse with dramatic urgency and emotional directness. The melodies often soar with lyrical warmth while the harmonies beneath them surge with complexity and chromatic richness, creating an experience that feels both intimate and grand. Singing this repertoire demands not just technical security but genuine interpretive commitment; these are scenes compressed into songs.

Who it's for

Advanced amateur tenors preparing for recitals or competitions, as well as professional singers building audition portfolios with repertoire beyond the standard repertory. Voice teachers working with students ready for college-level or graduate-level repertoire will find structured, reliable texts here. This collection serves singers who want to explore Russian operatic writing without committing to full opera scores.

How to get the most out of it

  • Study the Russian text alongside English translations to shape vowels and clarify the dramatic intent of each aria; many of these roles demand physical presence even in a recital setting.
  • Use the piano score to identify moments where the orchestra typically doubles or counterpoints the voice, then decide how much textural independence you need from your collaborator.
  • Build stamina across the full collection; Russian operatic writing often sits higher and demands more sustained power than French or Italian arias at comparable difficulty levels.
  • Mark character changes and dramatic beats within each aria so that even shorter pieces feel like complete scenes rather than vocal exercises.

How to use it

Feature individual arias in themed recitals exploring Eastern European repertoire, or select one or two as a contrasting set within a program built primarily around French or Italian standards. The audition-ready nature of these arias makes them ideal candidates for solo competitions or studio recital showcases where a tenor can demonstrate range and dramatic versatility. Consider pairing a familiar Russian aria with a lesser-known companion piece from this volume to create programming that educates your audience.

Skills your students will build

  • Russian diction and pronunciation
  • Sustained legit tenor sound at higher pitches
  • Dramatic character development and storytelling in recital format
  • Navigation of Romantic-era chromatic harmony and modulation
  • Collaboration with a pianist on operatic text and phrasing

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